The Saxon Charm Page #2

Synopsis: Eric Busch, a novelist/playwright, and his wife, Janet, go to New York where he arranges to have Matt Saxon, who has a reputation for ruthlessness, produce his play. Saxon insists on so many meetings, changes and revisions that it cause a rift between Eric and Janet. Saxon goes to Hollywood to get a prominent actor to play the lead but the actor, no fan of Saxon, declines. Saxon then deliberately robs his own girlfriend of her chance in Hollywood. The actor then comes to New York and offers to do the play, if someone other than Saxon is the producer.
 
IMDB:
6.8
APPROVED
Year:
1948
88 min
25 Views


Why don't we go there

while we have the chance?

We'd be cool, there. And I certainly

could use a swim right now.

That little hideaway is

just what we both need.

This heat is making us slap-happy.

Look .. could you pack for both of us

and meet me at the airport at 5:30?

Could I?

And this time I'll even pack

some of the things you need.

You tell that lawyer of yours, that

wives will wait, but airplanes won't.

Hello? Yes.

See? If you want action, all you

have to do is threaten to leave town.

Mr Saxon, didn't the buzzer

work? I have Mr Busch for you.

Yes, I know.

Why don't you talk?

He's not ..

Oh hello.

Hello, Eric.

Can I expect you at my

office in fifteen minutes?

Oh .. I have to meet

with my lawyer first.

Could you make it two hours from now?

This is imperative. There is a

man here I want you to meet.

Call your lawyer and tell him

you'll see him some other time.

Alright. What's his name? I'll call him.

No, no, no. I'll call him.

Alright, fifteen minutes.

He didn't say whether

he liked the play or not.

You didn't ask him. Better run along

and find out. I'll call the lawyer.

I don't know. I wish he'd

given me some kind of a hint.

Eric, I'm delighted to see you. You're

on time. We're not to be disturbed.

I warn you, I've improved

beyond all competition.

Here. And don't step beyond that

line and the carpet. Darts?

What of the man you wanted me to meet?

Oh.

Send in Zack Humber. He's waiting in

another office. I forgot all about him.

May I ask who Zack Humber is? And

whether or not you liked my play-script?

Zack Humber - Eric Busch.

Eric Busch - Zack Humber.

Zack is the only man I know who

temperamentally aims to be a billionaire.

Most of us only want to be

millionaires, but not Zack.

Sorry to keep you waiting, Zack.

What detains you, Eric?

Don't worry about me. I used the time to

close a big deal on the phone out there.

And it's okay with my wife for tonight.

Fine, and how about Mrs Busch?

How about "what" about Mrs Busch?

Oh yes, I forgot to tell you. We're

all dining together to celebrate.

Celebrate?

Has it occurred to you that I'm going

to do your play, and Zack will back us?

Well, it's a limited

partnership for tax reasons.

Then you like the play?

Like it? I was entranced by it. You made

a transition from novels to playwright.

Without losing one iota of your talent.

Well, I'm glad to hear you say that.

Well, I think the play is sensational.

When did you read it?

Matt told it to me.

It is terrific. You know, I never

knew that Molire had it so tough.

You never knew there was a Molire.

And that part where he

denounces the king. Wow!

Denounces the king?

Yes, a little idea I had Eric that

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Claude Binyon

Claude Binyon (October 17, 1905 Chicago, Illinois – February 14, 1978 Glendale, California) was a screenwriter and director. His genres were comedy, musicals, and romances. As a Chicago-based journalist for the Examiner newspaper, he became city editor of the show business trade magazine Variety in the late 1920s. According to Robert Landry, who worked at Variety for 50 years including as managing editor, Binyon came up with the famous 1929 stock market crash headline, "Wall Street Lays An Egg." (However, writer Ken Bloom ascribes the headline to Variety publisher Sime Silverman.)He switched from writing about movies for Variety to screenwriting for the Paramount Studio with 1932's If I Had A Million; his later screenwriting credits included The Gilded Lily (1935), Sing You Sinners (1938), and Arizona (1940). Throughout the 1930s, Binyon's screenplays were often directed by Wesley Ruggles, including the "classic" True Confession (1938). Fourteen feature films by Ruggles had screenplays by Binyon. Claude Binyon was also the scriptwriter for the second series of the Bing Crosby Entertains radio show (1934-1935). In 1948, Binyon made his directorial bow with The Saxon Charm (1948), for which he also wrote the screenplay. He went on to write and direct the low-key comedy noir Stella (1950), Mother Didn't Tell Me (1950), Aaron Slick of Pun'kin Crick (1952), and the Clifton Webb farce Dreamboat (1952). He directed, but didn't write, Family Honeymoon (1949) as well as Bob Hope's sole venture into 3-D, Here Come the Girls (1953). After his death on February 14, 1978, he was buried at the Forest Lawn Memorial Park in Glendale, California. more…

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