The Reflecting Skin Page #2

Synopsis: A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow up the road is a vampire, and tries to find ways of discouraging his brother from seeing her. He must deal with an abusive mother, a father with a charge of molestation, a band of youths creating havoc, and an unforgiving environment in general.
Director(s): Philip Ridley
Production: Miramax Films
  6 wins & 3 nominations.
 
IMDB:
7.0
Rotten Tomatoes:
83%
R
Year:
1990
96 min
280 Views


and grey hairs? Look.

Yeah.

You can?

Come and sit next to me.

Come on.

- Do you know what that is?

- No.

It's one of my Adam's teeth.

- This? Do you know what this is?

- Hair.

That's right. My husband's hair.

These are his reading glasses.

This is his comb.

You see? It's all that's

left of him now.

Just a box of bits and pieces.

You fall in love, and almost at once

that loved one dies,

and you're left with nothing.

Nothing at all.

Just a few memories

and a house where he was a boy.

Nothing but dreams and decay. And a box!

A box from his childhood.

A childhood you weren't even a part of.

Bay-Rum.

Oh, this... this is the smell of him.

Oh...

It's him... it's him!

It's the smell of him.

The smell of him...

Oh, my darling... my darling...

Smell my dead one!

A vampire...

She's a vampire!

There...

- You're awake.

- A little.

It's time you were asleep.

No, Ma...

- What is it now?

- Nothing...

- Just grow up and go to sleep.

- But...

- You want the water?

- No.

Then the light goes out.

Water!

Every last drop.

You're not finished yet, my boy.

I'm gonna burst, I gotta go...

Not until you've finished.

Every last drop. Go on! Drink!

I'll be sick...

Then you'll just have to be sick.

Keep on drinking.

I can't, Ma, really!

- Go on, you haven't finished...

- Ma...

Drink it... drink it!

You're gonna drink until

your stomach's fit to burst!

You're gonna drink it all, Seth Dove,

even if it takes all night!

You're gonna drink it all!

I can smell your father.

The Lord's taken him

because I'm a sinner.

Just like He took my Rachel.

Taken who, Joshua?

I am a sinner! I drink.

I have bad thoughts.

Would someone mind telling me

what's going on?

Eben's missing.

We need the Sheriff. I keep telling him

we should call Sheriff Ticker.

No need for Sheriff Ticker

just yet, Joshua.

No... that's what I said.

We're not sure anything's happened yet.

'Course we're not.

When did you last see Eben, son?

- This morning.

- Where did you leave him?

Did the Lord take him, boy?

Did the angels come down

and pluck him from the wheat?

Did the Lord say: "His Pa is a sinner

and not meant to be happy?"

- No.

- Where was he going to, boy?

I gotta go! Pa!

She's a vampire, and she drinks

blood to make her young.

She's afraid to look into mirrors

'cos her reflection is gone.

And she hates sunlight, and she keeps

her husband in a black box...

and his sweat in a bottle.

How do you know?

She told me to my face.

She's two hundred years old.

- Do you think she killed Eben?

- Could be.

- But why?

- For his blood, stupid!

His blood?

Sure. If she don't get blood

then she starts to fall apart.

She said, "I get up in the morning

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Philip Ridley

Philip Ridley (born 1964 in East London) is an English storyteller working in a wide range of artistic media. In the visual arts he has been cited as a contemporary to the 'Young British Artists', and had his artwork exhibited internationally.As a novelist he has created fiction for both children and adults, and has had particular success and recognition as a children's author.In the field of cinema he is perhaps best known for his award-winning screenplay for the 1990 film The Krays (1990), a biopic about the Kray twins which was directed by Peter Medak. As a film-maker in his own right he is recognised for creating a loose trilogy of horror films; The Reflecting Skin (1990), The Passion of Darkly Noon (1995) and Heartless (2009) for which he has acquired a cult following.As a playwright he has been cited as a pioneer of 'In-yer-face theatre', with his debut play The Pitchfork Disney (1991) considered by many to be a seminal work in the development of the style, with one critic even dubbing it "the key play" of the 1990s. A great number of his plays for adults have been perceived as controversial, being met with both condemnation and high acclaim upon their initial reception. As a writer for the stage he is also recognised for creating an ongoing series of plays for young people (The Storyteller Sequence) and has written theatrical works for children and family audiences.As a songwriter he has created songs for his cinematic and theatrical works, frequently collaborating with composer Nick Bicât. He and Bicât have also formed a music group called Dreamskin Cradle with singer Mary Leay. Ridley has also written songs for composer Anna Meredith, particularly operatic work.Ridley is also a poet, photographer, and performance artist and has written drama for radio.Although Ridley creates stories through a wide range of media he dislikes his work being categorised by the medium in which it is told, often referring to them belonging to each other as "different peaks of the same mountain." more…

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Submitted on August 05, 2018

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