The Red Badge of Courage Page #2

Synopsis: Plot centers around how a young recruit (Audie Murphy) faces the horrors of war. Character vascilates between wanting to fight and doubting his own courage. In midst of first bloody encounter, Youth runs away. After seeing dead and wounded, sense of shame leads him back to his unit, where he distinguishes himself in the next battle. Having overcome his fear of "the great Death" he knows e can face whatever comes. Somewhat sentimental "coming of age" tale was pet project of John Huston, who fought MGM over casting of Murphy and Bill Mauldin in lead roles.
Genre: Drama, War
Director(s): John Huston
Production: WARNER BROTHERS PICTURES
  Nominated for 1 BAFTA Film Award. Another 1 win.
 
IMDB:
7.3
Rotten Tomatoes:
90%
APPROVED
Year:
1951
69 min
565 Views


Forward!

Who says?

- Why, Tom Wilson.

- What Tom Wilson?

Arms out! Forward!

The one who knows

everything in the world.

- That Tom Wilson.

- You can all go...

We can all go up the river, cut across,

and come around in behind them.

Wait till we fall out.

I'll learn you something.

Private Wilson, step forward.

Was that you talking in ranks? Speak up!

- Darn it all, Lieutenant.

- Answer yes or no.

Yes, sir.

Private Wilson, six hours extra duty.

Fall back.

Arms out! Forward!

Two! Dismissed!

I want a word with you, Porter.

All we ever do is drill.

I'm getting mighty sick of it.

Thunder, I joined up to fight!

I want to smell gun smoke for once.

What are these guns for, anyway,

to shoot or to drill with?

Might as well be broomsticks.

We'll get our orders one of these days.

I reckon that day will come soon enough.

Not for me, it won't.

I wish I was as full of fight

as some of you fellas.

Guess I just ain't high-spirited enough

to be a good soldier.

Hey, fellas!

Tom Wilson and Bill Porter

are going to have a fistfight!

- Hit him on the nose, Porter.

- Give it to him, Wilson!

Looks like they're scared of each other.

How about a little action?

What is this, a fistfight or a round dance?

- Can I have the next waltz?

- Come on, let's see something!

Grab your knapsacks! We're marching!

We're going!

Here we go, boys!

He felt alone in space.

No one else seemed to be wrestling

with such a terrific personal problem.

He was a mental outcast.

What did I tell you?

Are we going up the river or ain't we?

Who was right?

Go on. Answer me,

you fellas who were laughing.

You was right. Nobody can deny that.

I heard some officers saying that

we had the Rebs where we want them.

We'll give them a darned good thumping.

They'll wish they'd stayed to home.

I hope this here gun shoots straight.

Wouldn't worry about it if I was you.

More about how steady I was holding it.

I wish I had my dog along.

First time I ever went hunting

without my old dog.

I wonder what the name of

this here battle's going to be.

Company, halt!

At rest!

Go on, miss!

Catch him, hit him with your stick!

How can you tell which one is the pig?

The pig's the cleanest, that's how.

The pig's better-looking, too.

We'll trade you the clean one

for the one in uniform.

Before you say yes, miss,

you better ask the pig.

He might not like it.

And you'd better run!

Henry?

What are you doing here?

Thinking.

You're getting blue.

You're looking thundering peaked.

- What the dickens is wrong with you?

- Nothing.

We're going after them now.

By the eternal thunders,

we're going to lick them good.

This time we're in for a big battle,

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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