The Quiet American Page #2

Synopsis: British Thomas Fowler enjoys his life in Saigon working as a reporter for the London Times, covering the conflict in Vietnam between the colonial French powers and the communists, who seem to be winning the war. In the later stages of his career, he takes his job lightly now, filing stories only on occasion, and no longer doing field work. But most important, this posting allows him to escape from what he considers a dreary life in London--including an unsatisfying marriage to a Catholic woman, who will never grant him a divorce--which in turn allows him to have an affair with a young Vietnamese ex-taxi dancer named Phuong, whom he loves and would marry if he were able. Phuong's sister doesn't much like Fowler if only because Fowler cannot provide a stable future for her. His idyllic life is threatened when head office suggests he go back to London. In this way, he decides to write a major story to prove to his superiors that he should stay in Saigon. In 1952, Fowler is called into the
Director(s): Phillip Noyce
Production: Miramax Films
  Nominated for 1 Oscar. Another 13 wins & 13 nominations.
 
IMDB:
7.1
Metacritic:
84
Rotten Tomatoes:
86%
R
Year:
2002
101 min
Website
897 Views


You know Joe Tunney,

from the American legation.

Yes, I know Joe.

Overthrown any small countries recently?

- Fowler sees conspiracies everywhere.

- That's for sure.

Bill, is it true that the communists

are attacking Phat Diem?

How the f*** should I know?

We only report victories.

One of our medical teams wasn't

allowed past Phnom Penh.

- I was thinking of going up there.

-It's a Catholic town, isn't it?

-You got a date tonight?

- Bill...

She's got a date every night.

You got your piece of ass.

I want mine.

Pyle, fellas, let's go

to the House of 500 Girls.

Oh, no thanks.

- I was planning on taking them to dinner.

- We've already booked at L'Arc en Ciel.

That's great.

You go eat at the L'Arc en Ciel

and I'll get eaten next door.

Sounds like a plan. Come on, Bill.

Walk with me.

Seems like a nice young man.

- What does he do?

- Something with medical aid.

You go and get us a table and

I'll go and rescue our Mr Pyle.

- Merci, monsieur.

- Thank you.

I'm not staying.

Just dropping him off.

Pyle! Let's get out of here.

Put your arm around this one.

If they think you've chosen,

they'll let you go.

- Put your arm around her.

- Excusez-moi.

- Night, Granger!

- Who wants the money most?

Miss Phuong, please forgive us

for keeping you waiting.

I forgive you.

- We had to make sure Bill got home.

- Home!

- Number 30?

- Sorry?

Tickets for the taxi dancers.

You buy a ticket for a dance.

Buy a ticket. Maybe I dance with you.

There you are.

Shall we?

Phuong is a very beautiful name.

Phuong. It mean phoenix.

Oh.

I thought it meant flower.

Like the ones in your hair.

Do you like my hair?

- This is traditional style.

- It's very nice.

- Do you know Vietnamese?

- Sure. Try me.

When you dance,

don't try to lead.

No. I don't...

I only know two words.

Beer and... hair cut.

- Mr Fowler.

- Hello.

- May I?

- Of course.

Thanks.

Haven't seen you for a long time.

- I'm away a lot.

- Yes.

Who's he? Your friend?

His name is Pyle. He's with

the American Economic Mission.

He's from Boston. In America.

He's a very bad dancer.

Yes.

- He is married?

- Not that I know of, no.

This is Phuong's sister. Alden Pyle.

Very happy to meet you.

Your father is a businessman?

No. He's a professor.

My sister is very good dancer, yes?

- She's too good for me.

- She's my only sister.

He's cute, the American.

And money too.

Sometimes you're as vulgar

as the French you hate so much.

Your sister's a very pretty girl.

My sister is the most

beautiful girl in Saigon.

I don't doubt that at all.

Mr Fowler's a very lucky man.

My father was very sad

he had no grandchildren.

Would you like a drink?

No. Thank you.

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Christopher Hampton

Christopher James Hampton, CBE, FRSL (born 26 January 1946) is a British playwright, screenwriter, translator and film director. He is best known for his play based on the novel Les Liaisons dangereuses and the film version Dangerous Liaisons (1988) and also more recently for writing the nominated screenplay for the film adaptation of Ian McEwan's Atonement. more…

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Submitted on August 05, 2018

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