The Pride and the Passion Page #4

Synopsis: The story in this movie deals with the perseverance of Spaniards to take back their country from the French who have conquered Spain under Napoleon as he marched over Europe. A huge cannon, perhaps the largest in the world at that time, is discarded by the army as they retreat from the French invaders. A "ragtag" group of Spanish loyalists find "The Gun" and begin to restore it so they may tow it across Spain to the French stronghold in Avila and use it to open the giant walls for an invasion. Luckily Britain has sent someone to retrieve the cannon for England so they can have it to fight the French also AND to make sure that the French don't get the gun! A shoemaker and his voluptuous girl friend are the leaders of the peasants trying to get the gun to Avila. The Brit can't get help to get the giant gun back to his ship without the peasants and the shoemaker won't help him unless they all go blast Avila open first. The Brit has the knowledge needed to fire the weapon and the shoemaker
Director(s): Stanley Kramer
Production: United Artists
  1 nomination.
 
IMDB:
5.7
Rotten Tomatoes:
14%
Year:
1957
132 min
456 Views


My father and brother were sentenced

by General Jouvet to be hung.

The general admired me.

I went to him.

He hung them anyway.

In the hills with the others,

I had one prayer - to die.

I had no hope, no purpose.

Until a man who was

the son of the shoemaker came.

He gave us a reason to live, to fight.

That was Miguel.

Well, then, I'd say

you've been grateful long enough.

- I am staying with him.

- You mean you're living with him.

But you don't love him.

That's the part of you that's cheap.

The British captain and the guerrillero's

woman - not a very good match.

I'll take my chances.

Enough to fire the cannon?

He said he'd do that himself.

Miguel doesn't always

mean what he says.

I won't apologise to him.

You won't have to.

I have already done that for you.

How much French cardboard

can a man eat?

Three days, this and water.

To pull this gun, a man needs food.

- You are not a man yet.

- (laughter)

He follows you anywhere,

and you make fun of him.

Jos, they are only teasing you.

I can do as much as any of them.

You know it.

More.

You are young and brave

and strong and handsome.

All any woman could desire.

And, besides, you're intelligent. And...

All right, Juana.

That's enough. I give up.

(shouting)

Excelencia. Excelencia, please!

Excelencia! Excelencia, please!

There are children in the village.

Give us back our food. We will starve.

At least the bread. Leave us something.

Miguel. And cognac!

- What is the matter?

- I doubt if you'd listen.

What is it?

- We need the food, don't we?

- We need the peasants more.

- What do you know about peasants?

- Obviously I know very little.

But I know you expect thousands

of them to meet you at vila.

Let me worry about the peasants.

I'm tired of you and your ideas.

Every village we come to

will hide their food.

And when we need help

with the gun, they'll disappear.

All right. You are in command. I give you

permission. You handle the peasants.

Go get the money and pay them.

In pounds sterling.

He's wrong. You'd better tell him so.

I know peasants. I live with peasants. I do

not need anybody to tell me about them.

- Of course not.

- You think he is right?

- I think perhaps...

- You think too much for a woman.

I think you are right, Miguel.

Miguel. Tell him you are sorry

for what you said.

Jos.

Wipe your nose.

An entire encampment wiped out.

Pretty picture - the invincible French

army running with our nightgowns on fire.

And still they elude us.

We are strangers in their house, General.

They know where to fight, when to hide.

They're hiding now someplace.

They will move again,

and I think I know where.

- They have help.

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Edna Anhalt

Together with then husband Edward Anhalt, screenwriter Edna Anhalt (April 10, 1914 – 1987) enjoyed some considerable success in a ten-year stretch from 1947 to her retirement in 1957. This stretch was capped with an Oscar win for Elia Kazan's 1950 film Panic in the Streets, and another nomination two years later for The Sniper. She also wrote the screenplays to The Member of the Wedding (1952), Not as a Stranger (1955) and The Pride and the Passion (1957), before hanging up her pen after her divorce. more…

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Submitted on August 05, 2018

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