The Passion of Anna Page #2

Synopsis: A recently divorced man meets an emotionally devastated widow and they begin a love affair.
Genre: Drama
Director(s): Ingmar Bergman
  2 wins & 6 nominations.
 
IMDB:
7.8
Rotten Tomatoes:
100%
R
Year:
1969
101 min
571 Views


toward my marriage

as you have toward

your cultural center,

I wouldn't have

any beautiful memories.

I wouldn't believe

in anything.

...because I know

we'll run into new problems,

which will result

in a nervous breakdown

and psychological

and physical violence.

How will you get home tonight?

You can sleep here.

Can't he?

Let's have some coffee.

Do you want some coffee?

Andreas!

Elis!

Anna's having a nightmare.

Last year, I bought the land

down to the sea.

- It's beautiful.

- We have some privacy here.

Did you hear

something last night?

Yes, I woke up briefly.

It was Anna.

She still has nightmares

after the accident.

I understand.

Let's go to the mill.

- This is the place. Come in.

- Oh!

In the beginning,

I collected all kinds of pictures,

those I took myself

and those from newspapers,

magazines, and old photo albums.

They're always about people.

Here we have people eating.

Amazing.

People asleep,

people in the grip of violent

emotions in different sections.

Once I collected

only pictures of violent acts.

Please sit down.

Thanks.

I've catalogued them

according to behavior.

An irrational classification,

just as meaningless

as the collecting itself.

There are faces, close-ups.

I took them myself.

Some of them are interesting.

Do you mind if I take

some pictures of you?

Not at all.

I would be flattered.

I have all the time in the world.

Great.

Here it is.

This might interest you.

Anna Fromm, 23 years old,

happily married, seven years

before the catastrophe.

No picture of her husband?

Yes, of course.

It would be interesting

to see what he looked like.

Here you are.

Here he is.

What sort of person

was Andreas?

They said he was

a scientific genius,

but he never got

a chance to prove it.

He was good-natured

and ruthless at the same time.

- Care for a drink?

- Yes, please.

- Whiskey?

- Yes, please.

Maybe it's too early.

Not today.

- Ice?

- No, thanks.

We were friends

back in high school,

but I never knew him that well.

He was a disaster for Anna.

- Here you go.

- Thanks.

She was madly in love with him.

I've never seen anything like it.

I might only have read about it.

I think he also loved her,

in his peculiar way.

I'm not qualified to judge.

For a year, my wife

was his mistress.

I'm not complaining.

I knew about it.

She left him one day.

I don't know why.

I don't dare ask why.

What was I going to say?

Oh, yes, I want to tell you...

Eva...

...has extraordinary

mental stamina...

...though you wouldn't think so

to look at her.

It has never occurred to me.

She and Anna have been

inseparable for many years.

That's how it is.

Now you know.

Do I hear anything?

Rate this script:3.5 / 2 votes

Ingmar Bergman

Ernst Ingmar Bergman (Swedish pronunciation: [ˈɪŋmar ˈbærjman] ( listen); 14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. Considered to be among the most accomplished and influential filmmakers of all time, Bergman's renowned works include Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), The Silence (1963), Persona (1966), Cries and Whispers (1972), Scenes from a Marriage (1973), and Fanny and Alexander (1982). Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity. Philip French referred to Bergman as "one of the greatest artists of the 20th century [...] he found in literature and the performing arts a way of both recreating and questioning the human condition." Mick LaSalle argued, "Like Virginia Woolf and James Joyce in literature, Ingmar Bergman strove to capture and illuminate the mystery, ecstasy and fullness of life, by concentrating on individual consciousness and essential moments." more…

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Submitted on August 05, 2018

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