The Old Maid Page #2

Synopsis: After a two-year absence, Clem Spender returns home on the very day that his former fiancée, Delia, is marrying another man. Clem enlists in the Union army and dies on the battlefield, but not before finding comfort in the arms of Delia's cousin, Charlotte Lovell. The years pass and Charlotte establishes an orphanage and eventually confesses to Delia that her dearest young charge, Tina, is an fact her own child by Clem. Jealousy and family secrets threaten to tear the cousins apart.
Genre: Drama
Director(s): Edmund Goulding
Production: Warner Bros. Pictures
  1 win.
 
IMDB:
7.7
APPROVED
Year:
1939
95 min
158 Views


...to behave like a gentleman. "

And you will, won't you?

I am sorry, Clem.

I know how you feel.

Really, I do. I know.

My little Delia, Jim Ralston.

Married. Today.

She asked me to behave like a gentleman.

She waited two years.

It's a woman's duty to marry.

To marry the man she promised

and she did promise me.

Oh, Charlotte,

I wouldn't have come back and...

What church? Where?

Where are they gonna be married?

No, that's what Delia's afraid of.

You're crazy and impulsive, you are.

- You'll get into trouble.

- I know.

You can't leave whenever you please

and expect Delia to wait on your doorstep.

A gentleman?

I'll behave like a gentleman.

- I'll break her neck.

- Clem.

Marrying Ralston.

I'll break my toe in the seat of his pants.

- No.

- I will. I'm gonna jam...

...that wedding cake down his stiff neck.

- Clem.

Oh, the bridegroom.

Jim Ralston, congratulations.

- Thank you, bishop. Glad to see you.

Is that champagne?

- Isn't that refreshing?

- Good idea.

You know, I'm gonna suggest...

You lads are still just boys to me.

- Champagne, Laughton.

- I'm going to propose a toast.

Jim Ralston, Joe Ralston, a toast.

- Shall we drink to the bride?

- To Delia.

And to you,

the bridegroom and the bride.

Thank you, Joe.

Hello, Charlotte.

- Hello.

Oh, Charlotte, wait a minute.

- I must see Delia.

- I know. You look lovely.

- Thank you.

- Wait. I wanna talk to you.

I can't. I must see Delia, Joe.

Excuse me.

Thank you, Dora. Delia.

- Did you see him?

- Yes.

What did he say?

He's downstairs at the side door.

He wants to see you.

Oh, but I can't. You know I can't.

He's very hurt, Delia.

I haven't wanted to hurt him.

I don't see how anyone could hurt

poor Clem.

Don't.

- I didn't know you cared that much.

- You knew I loved him.

I knew you told him so.

I have to go downstairs in a few minutes.

I mustn't cry.

You won't cry if you keep saying

over and over to yourself:

"I'm marrying a Ralston.

Marrying a Ralston. "

Yes, I'm marrying a Ralston and I'm glad.

- I don't envy you.

- I don't want you to envy me.

Don't hold my marriage to Jim

against me either.

I'm fond of Jim and it seemed hopeless

to wait for Clem.

A woman can't wait forever.

I wanted children and a home.

I couldn't bear to be an old maid.

I can't imagine not waiting forever.

You think that but you don't know.

Miss Delia.

- Miss Delia.

- What is it, Dora?

It's Mr. Spender.

He came in through the back door.

- He's outside. He wants to speak to you.

- But I can't. You go.

He insists. He'll talk to you

if he has to talk at the altar.

May I come in?

I beg your pardon.

- I'm looking for someone I used to know.

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Casey Robinson

Kenneth Casey Robinson (October 17, 1903 – December 6, 1979) was an American producer and director of mostly B movies and a screenwriter responsible for some of Bette Davis' most revered films. Film critic Richard Corliss once described him as "the master of the art – or craft – of adaptation." more…

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Submitted on August 05, 2018

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