The Next Three Days

FADE IN:

1 INT. SUV -- DAY 1

No sound. We are in a speeding SUV. The passenger, LARA,

unsnaps her seat belt and reaches for the door handle. The

driver, JOHN, sees her door open and dives to GRAB her. The

SUV spins, HORNS BLARE, TIRES SCREECH, cars swerve to avoid

collision. We aren't sure what is happening, but we know

something has gone terribly wrong. Cut to BLACK. Read:

THE LAST THREE YEARS

2 INT. STEAK HOUSE -- NIGHT 2

Two couples sit at a table, picking at dessert, JOHN and

LARA BRENNAN on one side, MICK and ERIT on the other. JOHN

is attractive in a worn kind of way, but has the eyes of a

kid with a discipline problem. You have to really know him

to understand if he is mocking you or agreeing with you. He

is a master of irony and has a true enjoyment of the absurd.

LARA looks beautiful even in her wrinkled suit. She appears

to have had a hard day at the office. She's been drinking

at dinner; it hasn't eased her nerves. John's good-looking

brother, MICK, boasts his blue collar roots and a gorgeous,

if slightly trashy, girlfriend, ERIT, who isn't ashamed of

her body or sharing her opinions. JOHN and MICK are laughing.

Lara puts cash on the tray beside Mick's credit card.

*

*

*

*

LARA:

You know what? If you were smart

you would stop talking right now.

ERIT:

Sue me. I just know that women should

never work for women.

*

John laughs and applauds. Mick buries his head. *

LARA:

How can you say that??

ERIT:

They're always threatened. Especially

if you're beautiful and they're not.

LARA:

Erit, you are so full of sh*t.

ERIT:

So, your boss isn't threatened by

you?

(CONTINUED)

WHITE 9-10-09 2.

2 CONTINUED:
2

LARA:

Because she's a b*tch! -(

as John and Mick laugh) *

--Not because she's a woman.

ERIT:

And you would describe her as

"attractive"?

LARA:

That has nothing to do with it!

ERIT:

And there is my answer.

JOHN:

Either of you like another drink?

Lara shoots John a burning look as Erit builds on her victory.

ERIT:

Women should work under men, men

under women. That's it.

JOHN:

(egging her on)

But men under men?

ERIT:

That's fine, too.

(the men burst into laughter)

They're used to it! Why are you

laughing?

MICK *

(re:
Erit)

I don't know, bro, but I think I'd

rather work under you than her.

ERIT:

(insulted, shoots back)

Oh please, I'd rather work under

him, too.

That was a dig at Mick but Lara is primed for a fight. *

LARA:

You'd rather "work under" John?

ERIT *

You have a problem with that, too? *

(CONTINUED)

WHITE 9-10-09 3.

2 CONTINUED:
(2) 2

LARA:

No, why would I have a problem with

your little sexual innuendo?

*

*

*

ERIT:

What is up your ass tonight??

*

Mick throws John a "This is all your fault and now it is

going to explode" look. John feigns complete innocence.

*

*

LARA:

So, I shouldn't take offense that

you're coming on to my husband right

in front of me.

*

*

ERIT:

(claws out now)

Lara, if I wanted your husband I

would have him.

LARA:

How? You couldn't possibly show him

more of your tits.

The men are on their feet before blows are exchanged.

ERIT:

-- You know what your problem is?!

JOHN:

That was a great meal!

MICK:

Okay--okay!

*

3 EXT. STEAK HOUSE PARKING LOT -- NIGHT 3

Mick and Erit head toward Mick's sporty pickup.

Lara step into foreground, Lara still fuming.

John and *

JOHN:

She is completely full of sh*t.

LARA:

DON'T try and agree with me now.

JOHN:

You know what? I don't even believe

she is in the dental profession.

Lara knows this game; he is trying to get her out of her

black mood, and she has no intention of letting him.

Shut up.

LARA:

(CONTINUED)

WHITE 9-10-09 4.

3 CONTINUED:
3

JOHN:

I bet she can't even spell

anesthesiologist. Woman's a complete

fraud.

LARA:

We went to her office party, idiot.

JOHN:

I think she hit on me that night,

too.

Lara opens the back door of their black Prius and tosses in

the raincoat she was carrying. They climb in, under....

LARA:

You are completely delusional. She

wasn't even hitting on you in there;

I just don't like her.

JOHN:

I understand. People who look like

that should not be allowed anywhere

near oral surgery.

She feels a smile coming to her lips and tries to force it

away.

LARA:

You are such an a**hole.

JOHN:

You're in the chair trying to stay

calm; how are you supposed to do that

with those things hanging over your--

She can't stand how attractive he is in this moment -- she

stops him short by kissing him passionately. His hands slip

under her blouse; she tugs at his sweater.

JOHN (CONT'D)

Someone's going to --

Her hand goes to his pants. He yanks at the seat lever and

it goes crashing back, Lara landing atop him.

After a moment he sits up quickly and pushes down the visors.

She laughs and kisses him and they disappear into each other.

4 INT. BRENNAN HOUSE - BACK DOOR -- NIGHT 4

Lara and John enter, Lara carrying her raincoat, her hair

sticking up in the back, John's shirt untucked.

(CONTINUED)

WHITE 9-10-09 5.

4 CONTINUED:
4

Hello!

LARA:

JENNA, the teenage baby-sitter, sees right through them.

Did he cry?

LARA (CONT'D)

JENNA:

Only when I dropped him down the

stairs.

*

*

Lara shoots her a look, hangs up her coat and exits upstairs.

5 INT. BRENNAN HOUSE - UPSTAIRS HALLWAY 5

She peeks in her son's room, sees him sleeping soundly.

6 INT. BRENNAN HOUSE - FOYER 6

Lara comes down to find John paying Jenna. John nods for

her to check the mirror. She tugs at the knot in her hair.

Thanks.

JOHN:

See you next weekend.

Jenna exits. Lara shows him that his sweater is inside out.

John reacts:
"Oh God." Lara's smile broadens; she kisses

him. He pins her to the wall and they start all over again.

He feels for the light switch. He finds it; we cut to BLACK.

7 INT. JOHN AND LARA'S BEDROOM -- NIGHT 7

Lara wakes, troubled. It's the middle of the night.

8 INT. LUKE'S ROOM -- NIGHT 8

Lara finds Luke's window closed but unlocked. She locks it

and looks out. Satisfied, she sits and watches her son sleep.

9 INT. KITCHEN -- MORNING 9

Three year-old LUKE holds a knife and fork as he sits at the

table watching his dad cut up his pancakes.

JOHN:

Okay, your turn.

Luke skewers a piece with his fork.

to get to work.

Lara passes, hustling

JOHN (CONT'D)

Very good, very good...

(CONTINUED)

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