The Missing Person Page #3
tell you that we have top of the line phones.
right here.
George Lucas?
He's a famous guy, a director or
producer, or something like that.
What's your name?
Me? Boogle.
Boogle?
Yeah.
I just want a phone that takes
pictures, Boogle.
Okay.
Hey, don't you see the walkway
there?
What?
There's a walkway over there.
You can't just cross wherever you want.
I could give you a ticket for jaywalking.
A ticket for jaywalking?
You mocking my job, dude?
No. I mean, you're a cop, right?
Let me see your I.D., please.
You're from New York?
Originally, yeah.
Because of the earthquakes,
right?
Okay, lay off the jokes, guy.
Is that supposed to be a joke?
Sure.
Well we're in Hollywood, okay? We
leave the entertainment to Soupy Sales.
I suggest you go home.
There's no smoking on the
Promenade, f*** wad!
From a woman at the bar. She
wants you to know her name is Lana.
May I?
Hey. Hey, you're not one of those gals
that uses sex as a weapon, are you?
No. I don't like violence.
That's good.
Are you like everyone else here?
You in show business?
No. I'm in the hide and seek
business.
No. That is a game that kids
play.
Yeah but if you add some money
to it, it's for adults.
Well, what are you doing right
now, hiding or seeking?
Right now I'm drinking.
Do you want another drink?
No, come on. Come on.
I got to go to the bathroom.
What's wrong, lover?
Are these the kind of games
you're into?
No, they're for work.
Come on. It's alright.
You want me to cuff you up, huh?
You want to cuff me up?
Slow dance.
May I have this dance?
Lana. I never did figure out if
that was her real name.
Maybe it was, just for the
night.
She ended up passing out on her
pillow, and sleep-talking into the dawn.
She was asking her mother for the
extra-special blueberry pancakes.
There was a lot of cursing.
Hello, Drexler Hewitt's office.
Hey, Charley. Is Hewitt in?
No, Rosow, he is not.
I would've told him I am still in
contact with the Subject and the Boy.
Am presently tailing them south
to Mexico, I'm guessing.
Guessing, Rosow?
Guessing, Miss Charley.
I haven't received the image
yet.
Oh, yeah. I forgot.
I'll do it right now.
This is instantaneous, huh?
What is this? Who is this?
It's just a trial run, Charley.
I just want to make sure the new
technology really works.
Don't hang up on me, okay?
You're always hanging up on me.
What do you want, Rosow?
See, I just want you to talk to
me for a little while.
And why would I do that?
I'm out here on this old spooky
desert highway,
following some defective bastard
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Missing Person" Scripts.com. STANDS4 LLC, 2024. Web. 25 Apr. 2024. <https://www.scripts.com/script/the_missing_person_20866>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In