The Miracle of Our Lady of Fatima Page #2

Synopsis: In 1917, three shepherd children living just outside Fatima, Portugal have visions of a lovely lady in a cloud. The anticlerical government wishes to squelch the Church; reports of religious experiences are cause for serious concern. Yet the children stand by their story, and the message of peace and hope the Lady brings. In the last vision, attended by thousands of people, the Lady proves her reality with a spectacular miracle that is seen by everyone present. Based on actual events at Fatima in the summer of 1917.
Genre: Drama
Director(s): John Brahm
Production: WARNER BROTHERS PICTURES
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
6.9
APPROVED
Year:
1952
102 min
897 Views


do you hear me?

Come back!

[BRAYS]

[LAUGHTER]

[SOBBING]

There, you see

what you've done?

Now, what will Mama say

when I come home without it?

Don't cry, Jacinta.

I'll take all the blame.

Let's eat our lunch.

[SOBBING]

We must say

the rosary first.

All right.

You start, Lcia.

In the name of the Father,

the Son

and the Holy Ghost. Amen.

I believe in God,

the Father Almighty--

No, no. Let's do it

the short way.

And wait for the echoes.

All right.

All together now.

ALL:

Hail Mary!

[ECHOES]

Hail Mary!

Hail Mary!

[THUNDER CRASHES]

What was that?

There must be

a storm coming.

How could it be

with the sky so bright?

I don't know.

But we'd better

head for home.

Hey! Hey! Ya!

Hey! Ya! Ya!

[BRAYING]

[THUNDER CRASHES]

The sun is still out.

Was that lightning?

It must be.

Come on.

Hey! Hey! Hey!

Come on there, hurry up!

FRANCISCO:

Hey, come on. Hurry up.

What are you

looking at?

[BOTH GASP]

What's the matter?

What was it?

What did you see?

Look.

Over there.

FRANCISCO:

I don't see anything.

WOMAN:

Don't be afraid.

I won't hurt you.

Come here to me,

won't you?

Come closer.

There, that's better.

You are not frightened now,

are you?

No.

Where does Your Excellency

come from?

I am from heaven.

Who are you

talking to, Lcia?

A lady.

I don't see her.

Where is she?

Here, on the little tree.

Don't you hear her?

No.

Tell him to say the rosary.

Then he will see me.

She says to say the rosary,

Francisco.

What is it you want of me?

I come to ask you to come here

for six months in succession.

On the 13th day,

at the same hour,

then I will tell you who I am

and what I want.

Shall I go to heaven?

Yes, you will.

And Jacinta?

Also.

And Francisco?

Yes.

But he will have to say

many rosaries.

Lcia,

I can see her now.

I see her plain.

Do you wish to offer

yourself to God?

To endure all the suffering

he may please to send you?

To help atone for the sins

by which he is offended?

And to ask

for the conversion of sinners?

Shall we?

Yes, we do.

Yes, my lady.

Then you will have much

to suffer.

But the grace of God

will be your comfort.

My God, my God.

I love you

in the most blessed sacrament.

Say the rosary every day

to obtain peace for the world

and to end the war.

The beautiful lady

is gone.

But she'll come back.

She said so.

Didn't she, Lcia?

Don't talk.

It's too wonderful.

[WHISTLING CHEERFULLY]

[BRAYING]

Hello there,

little ones.

Hello, Hugo.

Hi, Hugo.

Hey. Hey, wait a minute,

it's Hugo.

Don't you know me?

Have I changed so much

since this morning,

or have you suddenly

become rich,

lost interest

in your poor friend?

No, Hugo, we saw you.

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Crane Wilbur

Crane Wilbur (November 17, 1886 – October 18, 1973) was an American writer, actor and director for stage, radio and screen. He was born in Athens, New York. Wilbur is best remembered for playing Harry Marvin in The Perils of Pauline. He died in Toluca Lake, California.He was a prolific writer and director of at least 67 films from the silent era into the sound era, but it was as an actor that he found lasting recognition, particularly playing opposite Pearl White in the iconoclastic serial The Perils of Pauline. He brought to the first motion pictures merry eyes, a great, thick crop of wavy, black hair and an athlete's interest in swimming and horseback riding. Twelve years of stage experience prepared him for his venture into the new art of silent motion pictures. He was one of the first to explore the techniques required to communicate through the wordless shadows of the movies. more…

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Submitted on August 05, 2018

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