The Men Page #3

Synopsis: Ex-GI Ken who as a result of a war wound is paralyzed below the waist. In the hospital back home, he passes through an initial period of depression with the help of a sympathetic Dr. Brock and his faithful fiancée Ellen. Ken's bitter isolation is also overcome with the help of his fellow patients, especially the intelligent young cynic Norm, the witty Leo and serious young Angel. Soon Ken throws himself into the work rehabilitation and after a long period of physical therapy even suspects he may regain the use of his limbs. With the approval and help of the doctor, he and Ellen marry, but on their wedding night both have misgivings about the marriage: the full realization of Ellen's new responsibilities frighten her and makes her more uncertain than ever, and Ken reverts to self-pity. There is a violent argument, and he goes back to the hospital. But his blazing anger finds no sympathy from his buddies, and after a surprising conversation with Dr. Brock, Ken realizes that he must retur
Genre: Drama
Director(s): Fred Zinnemann
Production: Columbia Pictures
  Nominated for 1 Oscar. Another 3 wins & 2 nominations.
 
IMDB:
7.2
Rotten Tomatoes:
70%
PASSED
Year:
1950
85 min
851 Views


Well, I want him in my office

this afternoon.

Yes, sir.

Peek-a-boo, Mr. Baker!

Well, I'm beginning to think

a survey of the discipline...

in this ward might be of value.

Don't tell me Newman had

a pressing engagement elsewhere too?

He's at school, Doctor.

You wanted him to get

his diploma, remember?

He can't be in two places at once.

All right, Miss Robbins.

Don't look so superior.

You're not so smart, either.

Hey, look!

Anderson's got his crutches!

You see that?

You wait long enough,

everything happens.

You're gonna have to

work hard, George,

but you got a low-level injury

and you can do it.

Has Bricker shown you

the ways you can ambulate?

Yeah. Looks pretty hard.

What do you mean?

The swing-through gait

should be pretty easy for you.

Watch.

It's slow,

but it gets you there.

You see that?

Why, you can get onto

it in no time at all.

- It still looks hard.

- What? With your build?

It's a cinch.

That's good news to me.

Arise, Mr. Gunderson.

"Hark, hark, the lark

at heaven's gate sings,

and Phoebus 'gins to-"

Sherman, Weaver, Robbins,

you know anything about this?

No, Doctor. I had no idea.

Did go down to the movies

the other night against orders.

I didn't know about it

till afterward.

Mr. Gunderson, look at me.

- Listen, Doc, I couldn't help-

- You listen to me!

You know what you've done?

Does it matter to you that this was

a perfectly good bedsore closure?

Now it's completely broken down.

It's a mess.

- It's not my fault.

- Oh, I'm sure it's not!

It's Dr. Weaver's fault

or Miss Robbins's!

They should've tied you down to

your bed so you couldn't disobey orders!

What gives you the right to ruin

good surgery by sheer carelessness?

This patient

is grounded for a month.

All wheelchair privileges

are withdrawn,

and all therapeutic measures

will be clone in bed.

- I'm sorry, Doc.

- I have nothing more to say to you!

- How are you today, Walter?

- All right.

- How's the hand?

- I don't know. Better, I guess.

All right, let's see.

Now, let's see you try

to bend the fingers.

Good. Good!

Sherman, Weaver,

come here. Look at this.

Good, Walter.

That's very, very good.

Now let's bear down on

those resistive exercises.

Let's keep 'em going.

That a boy.

That's right, Max.

Twenty across the board.

And you're in big trouble.

Business as usual,

I see, Mr. Doolin.

I don't believe

I've had the pleasure.

What was your name, sir?

When are you gonna stop taking

advantage of the government?

What do you want me to do? Walk?

I had enough of that in the infantry.

- How is he?

- As usual.

He won't go to the gym

unless we drag him.

All right, drag him down there.

Here's my man.

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Carl Foreman

Carl Foreman, CBE (July 23, 1914 – June 26, 1984) was an American screenwriter and film producer who wrote the award-winning films The Bridge on the River Kwai and High Noon among others. He was one of the screenwriters that were blacklisted in Hollywood in the 1950s because of their suspected Communist sympathy or membership in the Communist Party. more…

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Submitted on August 05, 2018

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