The Man Who Would Be King Page #2

Synopsis: This adaptation of the famous short story by Rudyard Kipling tells the story of Daniel Dravot and Peachy Carnahan, two ex-soldiers in India when it was under British rule. They decide that the country is too small for them, so they head off to Kafiristan in order to become Kings in their own right. Kipling is seen as a character that was there at the beginning, and at the end of this glorious tale.
Genre: Adventure
Director(s): John Huston
Production: Warner Bros. Pictures
  Nominated for 4 Oscars. Another 4 nominations.
 
IMDB:
7.9
Rotten Tomatoes:
96%
PG
Year:
1975
129 min
3,243 Views


can trace it...

...to the builders

of Solomon's Temple.

- Old wives' tales, I suspect.

- Yes, in all likelihood, sir.

Well, let's have a look

at your lodge brothers.

Right turn.

Halt.

Hats off!

You men are not under arrest...

...thanks to Mr. Kipling, who's a real

correspondent for The Northern Star.

But both of you richly deserve

to be in jail.

I have your records before me.

There's everything

from smuggling to swindling...

...receiving stolen goods

and barefaced blackmail!

I resent the accusation.

It is blackmail to threaten

to publish information.

What blackmail is there in accepting

a retainer to keep it out?

How did you propose to do that?

Telling the editor what I know

about his sister...

...and a certain government official.

Let him put that in his paper

if he has need of news!

You should have gone home

after your army service.

To what? A porter's uniform

outside a restaurant?

Tips for closing cab doors

on civilians and their blowzy women?

Not for us, after watching

Afghans take command...

...when the officers had copped it!

- Well said!

There may be no criminal charges, but

I'll see these files reach Calcutta...

...with the advice you be

deported as political undesirables.

Detriments to the empire and the raj.

Detriments you call us? Detriments?

Detriments like us built this bloody

empire and the izzat of the raj!

Hats on!

About turn!

By the left, quick march!

Left turn!

There's no need to let any of this

get into the Star, I take it, Kipling?

No, no, no.

Copy.

My God! You two!

What do you want this time?

- We want to ask you a favour.

- Another favour?

Calm down, we've never taken

advantage of a fellow in the craft.

We don't want money,

just a little time...

...a look at a book or two,

a study of your maps.

We'll take a drink, but if not,

we won't mind.

Peachy is as sober as I am.

It's important you have no doubts.

So we'll take one of your cigars

apiece, and you shall watch us...

...light up.

And now, sir...

...let me introduce you to Brother

Peachy Carnehan, which is him...

...and Brother Daniel Dravot,

which is I.

The less said about our jobs,

the better. We've been most things.

We've been all over India. We know

her cities, jungles, jails and passes.

We have decided

she isn't big enough for us.

The commissioner said that.

We're going to another place...

...where a man isn't crowded

and can come into his own.

We're not little men,

so we're going away to be kings.

- Kings of Kafiristan.

- Oh, Kafiristan.

We hear they have two and 30 idols

there. So we'll be the 33rd and 34th.

It's a place of warring tribes,

meaning a land of opportunity...

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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