The Little Foxes Page #2

Synopsis: The ruthless, moneyed Hubbard clan lives in, and poisons, their part of the deep South at the turn of the 20th century. Regina Giddons née Hubbard has her daughter under her thumb. Mrs. Giddons is estranged from her husband, who is convalescing in Baltimore and suffers from a terminal illness. But she needs him home, and will manipulate her daughter to help bring him back. She has a sneaky business deal that she's cooking up with her two elder brothers, Oscar and Ben. Oscar has a flighty, unhappy wife and a dishonest worm of a son. Will the daughter have to marry this contemptible cousin? Who will she grow up to be - her mother or her aunt? Or can she escape the fate of both?
Genre: Drama, Romance
Director(s): William Wyler
Production: RKO
  Nominated for 9 Oscars. Another 3 wins.
 
IMDB:
8.2
Rotten Tomatoes:
100%
APPROVED
Year:
1941
116 min
2,039 Views


with the Hubbards and the Giddens...

who will show him what our famous

Southern hospitality is like.

- That's pretty.

- That's the way they'll print it.

- Ow!

- Hold still, Zan.

You had pretty hair

when you was little.

You was a mighty pretty

little girl.

Addie, will anybody

think I'm pretty now?

Someday some fool

of a man will, I reckon.

Seems there's always somebody

for somebody.

But you'll do, baby.

You're too young to worry

about such things, Alexandra.

You're going to have all the things

I wanted when I was your age.

Addie, make the dinner biscuits

yourself tonight.

Be sure the coffee is strong

and the wine is cold.

Don't worry, Miss Regina.

The dinner will go fine tonight.

They used to go to Europe every year,

Mr. Marshall.

Imagine going all the way to Europe

just to listen to music!

Once Mama met Mr. Wagner,

the composer, you know.

Mrs. Wagner gave Mama and Papa

a signed program.

Another time...

No, thank you, Cal.

It's remarkable to me

how you Southern aristocrats...

have kept together,

kept what belonged to you.

We're not aristocrats. Our brother's

wife is the only one who is.

You make great distinctions.

They've been made for us.

Take Birdie's family.

They owned the plantation Lionnet.

You've probably heard of it.

Beautiful place.

Best cotton land I ever saw.

My mother's grandfather was governor

before the war.

Those folks had their day,

and a great day too.

Cloth from Paris,

horses you can't raise anymore...

- darkies to work for them.

- We were good to our people.

- Everybody knew that.

- But when the war comes...

these fine gentlemen ride off and leave

the cotton and the women to rot.

My father was killed in the war.

He was a fine soldier.

- A fine man.

- Yes, certainly. A famous soldier.

That's not the tale

I'm telling Mr. Marshall, Birdie.

The war ends.

Lionnet is almost ruined,

and the sons finish ruining it.

Why? Because the Southern aristocrat

could adapt himself to nothing.

Too high-toned to try.

- It's difficult to learn new ways.

- You're right, it is difficult.

But maybe that's why

it's profitable.

Our grandfather and our father learned

the new ways, learned to make them pay.

They were in trade. Others, like

Birdie's family, looked down on them.

To make a long story short,

Lionnet now belongs to us.

Twenty years ago, we took over their

land, their cotton and their daughter.

You are boring Mr. Marshall

with these ancient family tales.

I hope not. I'm just making an important

point for our future business partner.

- You see...

- Will you come and try a very old port?

I've been saving it

for a special occasion.

- Come, Alexandra.

Rate this script:5.0 / 1 vote

Lillian Hellman

Lillian Florence Hellman (June 20, 1905 – June 30, 1984) was an American dramatist and screenwriter known for her success as a playwright on Broadway, as well as her left-wing sympathies and political activism. She was blacklisted after her appearance before the House Committee on Un-American Activities (HUAC) at the height of the anti-communist campaigns of 1947–52. Although she continued to work on Broadway in the 1950s, her blacklisting by the American film industry caused a drop in her income. Many praised Hellman for refusing to answer questions by HUAC, but others believed, despite her denial, that she had belonged to the Communist Party. As a playwright, Hellman had many successes on Broadway, including Watch on the Rhine, The Autumn Garden, Toys in the Attic, Another Part of the Forest, The Children's Hour and The Little Foxes. She adapted her semi-autobiographical play The Little Foxes into a screenplay, which starred Bette Davis and received an Academy Award nomination in 1942. Hellman was romantically involved with fellow writer and political activist Dashiell Hammett, author of the classic detective novels The Maltese Falcon and The Thin Man, who also was blacklisted for 10 years until his death in 1961. The couple never married. Hellman's accuracy was challenged after she brought a libel suit against Mary McCarthy. In 1979, on The Dick Cavett Show, McCarthy said that "every word she writes is a lie, including 'and' and 'the'." During the libel suit, investigators found errors in Hellman's popular memoirs such as Pentimento. They said that the "Julia" section of Pentimento, which had been the basis for the Oscar-winning 1977 movie of the same name, was actually based on the life of Muriel Gardiner. Martha Gellhorn, one of the most prominent war correspondents of the twentieth century, as well as Ernest Hemingway's third wife, said that Hellman's remembrances of Hemingway and the Spanish Civil War were wrong. McCarthy, Gellhorn and others accused Hellman of lying about her membership in the Communist Party and being an unrepentant Stalinist. more…

All Lillian Hellman scripts | Lillian Hellman Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "The Little Foxes" Scripts.com. STANDS4 LLC, 2024. Web. 24 Apr. 2024. <https://www.scripts.com/script/the_little_foxes_12659>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.