The Life and Death of Colonel Blimp Page #3

Synopsis: Portrays in warm-hearted detail the life and loves of one extraordinary man. We meet the imposingly rotund General Clive Wynne-Candy, a blustering old duffer who seems the epitome of stuffy, outmoded values. Traveling backwards 40 years we see a different man altogether: the young and dashing officer "Sugar" Candy. Through a series of relationships with three women and his lifelong friendship with a German officer, we see Candy's life unfold and come to understand how difficult it is for him to adapt his sense of military honor to modern notions of "total war."
Genre: Drama, Romance, War
Production: Archers
  1 win & 2 nominations.
 
IMDB:
8.2
Rotten Tomatoes:
96%
NOT RATED
Year:
1943
163 min
437 Views


- Yes, sir.

Boy.

- A hansom. Growlers barred.

- He knows, sir.

I could have done with a nap myself.

I'm going to the theatre tonight.

- Can't you sleep there?

- lnvited. Two ladies.

- Can I come?

CANDY:
One is the mother.

Your cab, sir.

Ah. The opera singers, eh?

Hm. No wonder

civilians are grumbling about the Army.

Ought to be ashamed of yourselves,

yelling and screaming like some damned...

damned foreigner.

It's a nice state of things.

Officers and men losing their lives

in South Africa,

while young officers are roaring about

public places like drunkards.

Perhaps you are drunk, hm?

- What's this?

- The VC, sir.

- Where did you get it?

- South Africa. Jordaan Siding.

You're Candy. "Sugar" Candy!

Yes, sir.

Good show, Candy.

- Thank you, sir.

- Hopwell, sir.

- Hopwell? Son of Barney Hopwell of the 66th?

- Yes, sir.

- You're very musical.

- No, sir.

- And so are you.

- You mean, Mignon, sir? "l Am Titania"?

- You're what?

- Titania.

We were shut up with her for seven months

near Jordaan Siding.

- I beg your pardon?

- It's an aria, sir.

Mignon. We had a phonograph and broke

every record but that one. We know it by heart.

Well, are you boys going to Piccadilly?

That's where I'm going.

(Old soldier coughs)

- Can I give you a lift?

- No, thank you, sir. We've got a cab.

- St James's Palace.

- Right, sir.

I hope you two boys enjoy your leave.

You've earned it.

Thank you, sir. Mind the door, sir.

Boy!

- Another hansom.

- The old horse thief.

(Horn)

- Have you ever ridden in one?

- Rather. All the way to Epsom.

- Lovely lines, hasn't she?

- Topping.

- A hot potato, sir?

- No, no. We've just come over for a warm.

The same beastly drizzle.

The same fog and soot. Good old London.

Now, listen, Suggie. You remember

that interview you gave The Times?

- You don't mean to say you read it?

- Me? No.

But I have a niece who has a governess

who has a sister.

- Pretty?

- Never laid eyes on her, but she read it.

- Who?

- My niece's governess's sister. In Berlin.

She wrote to her sister over here who gave

the letter to my niece to give to me to give to you.

Who do I give it to?

Nobody. It's for you, and there it is.

- Why?

- Well, read it, you big ape.

You'll find out. It's interesting.

OFFlCER:
Sit down.

- Thank you, sir.

- Fire away.

Well, sir, I have a friend...

Good. Not everyone can say that. Continue.

This friend of mine, sir, has a niece.

Cut it short.

You say here something about a letter.

One:
Who wrote it? Two: What's in it?

Three:
What's the War Office got to do with it?

Four:
I'll tell you. Five: Out.

One?

A girl wrote it from Berlin, sir. Edith Hunter.

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Michael Powell

Michael Latham Powell (30 September 1905 – 19 February 1990) was an English film director, celebrated for his partnership with Emeric Pressburger. Through their production company "The Archers", they together wrote, produced and directed a series of classic British films, notably 49th Parallel (1941), The Life and Death of Colonel Blimp (1943), A Matter of Life and Death (1946, also called Stairway to Heaven), Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951). His later controversial 1960 film Peeping Tom, while today considered a classic, and a contender as the first "slasher", was so vilified on first release that his career was seriously damaged.Many film-makers such as Martin Scorsese, Francis Ford Coppola and George A. Romero have cited Powell as an influence. In 1981, he received the BAFTA Academy Fellowship Award along with his partner Pressburger, the highest honour the British Film Academy can give a filmmaker. more…

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Submitted on August 05, 2018

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