The Last Wave Page #2

Synopsis: A Sydney lawyer has more to worry about than higher-than-average rainfall when he is called upon to defend five Aboriginals in court. Determined to break their silence and discover the truth behind the hidden society he suspects lives in his city, the Lawyer is drawn further, and more intimately, into a prophesy that threatens a new Armageddon, wherein all the continent shall drown.
Director(s): Peter Weir
Production: Cowboy Pictures
  4 wins & 7 nominations.
 
IMDB:
7.2
Metacritic:
85
Rotten Tomatoes:
87%
PG
Year:
1977
106 min
410 Views


[Thunderclaps]

[Sirens Wailing]

[Man Hooting]

[Speaks In Native Dialect]

[Man Whispering In Native Dialect]

[Whispering Continues]

- [Man Chattering Over Radio]

- [Chattering]

Car 49, five suspects...

detained in connection with this matter

now being conveyed to the station.

- Hold it!

- [Screaming]

- In you go!

- [Screaming Continues]

He was a strong,

healthy young man.

He was pissed.

I'll tell you that.

Not more than the usual

Saturday night.

Bruising on the neck.

Some facial abrasions.

Water in the lungs.

Not a lot.

I don't think

there was enough to drown him.

So what killed the bastard?

- His heart stopped beating.

- Geez.

Well, don't look at me.

You're the doctor.

What's the charge going to be?

Manslaughter?

Probably.

There's something about this.

You once told me a cup of fresh water

was enough to drown a sheep, right?

So half a cup

would drown an Abo, right?

[Chuckling]

David!

Telephone.

It's Don somebody or other

from the Legal Aid office.

- Ah, Don Fishburn.

- Yeah.

[Kids Chattering, Laughing]

Don, how are you?

Well, I'm fine. Thanks.

How are you going to ruin my Sunday?

Well, I hardly do any criminal work.

You know that.

I know that, but I also know

you support Legal Aid.

Well, yes,

of course I support Legal Aid.

It was Sammy Damo

who suggested your name to me...

because he said you had a little

experience working with Aborigines.

No, I've never worked

on a case involving Aborigines.

I did give some advice once

on a land rights question.

Can we get together tomorrow,

say around 2:
00 in the afternoon,

just to go through

the whole thing?

Would you go in now, please?

Okay. Here we go.

Right.

Gerry, where's your brother?

Where's Chris?

Now, listen, all of you.

You heard the magistrate.

You're in serious trouble.

Now, where is he?

I want the truth.

- He hasn't run away, has he?

- Chris wouldn't do that.

You tell him from me that if he

or any one of you let David down,

he'll drop the case, all right?

Well, I'll let you

get on with it.

- Thanks.

- That's okay.

- And you blokes make sure you turn up for your appointments.

- [Door Closes]

My field

is corporate taxation.

Please bear with me.

I have here...

Oh, sit down. Sit down.

We have here...

a police statement...

a statement

you gave the police...

uh...

which I can't seem to find.

Anyway, they say that you had

a fight with... Billy Corman,

knocked him into a pool of water

and he drowned.

Is, is that what happened?

- Gerry?

- We didn't do it.

What did happen?

Billy died. That's all.

How? How did he die?

Too many drink.

Fight.

Billy died.

They're keeping something from me.

- Why should they do that?

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Peter Weir

Peter Lindsay Weir, AM ( WEER; born 21 August 1944) is an Australian film director. He was a leading figure in the Australian New Wave cinema movement (1970–1990), with films such as the mystery drama Picnic at Hanging Rock (1975), the supernatural thriller The Last Wave (1977) and the historical drama Gallipoli (1981). The climax of Weir's early career was the $6 million multi-national production The Year of Living Dangerously (1983). After the success of The Year of Living Dangerously, Weir directed a diverse group of American and international films covering most genres—many of them major box office hits—including Academy Award-nominated films such as the thriller Witness (1985), the drama Dead Poets Society (1989), the romantic comedy Green Card (1990), the social science fiction comedy-drama The Truman Show (1998) and the epic historical drama Master and Commander: The Far Side of the World (2003). For his work on these five films, Weir personally accrued six Academy Award nominations as either a director, writer or producer. Since 2003, Weir's productivity has sharply declined, having directed only one subsequent feature, the critically successful but financial flop The Way Back (2010). more…

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Submitted on August 05, 2018

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