The Last Tycoon Page #2

Synopsis: F. Scott Fitzgerald's novel is brought to life in this story of a movie producer slowly working himself to death.
Genre: Drama, Romance
Director(s): Elia Kazan
Production: Paramount Pictures
  Nominated for 1 Oscar. Another 2 wins & 3 nominations.
 
IMDB:
6.3
Rotten Tomatoes:
44%
PG
Year:
1976
123 min
282 Views


the tanks on stage nine.

Okay.

Robbie, we need more men.

Oh, Christ,

we need that head next week.

Bring in the pumps

from stage nine!

Stage nine.

Watch those cables!

Get the cables out of the water!

Whoa...

All right, hold it, right...

Whoa.

l'm sorry.

We just followed the trucks in.

Good evening, sir.

Good evening, Kino.

ls everything all right

at the studio, sir?

Yes.

Would you like some tea?

No, thank you.

Shall l turn off the lights?

Yes.

Darling, l've come home.

Yes.

Yes.

l told you, one of them

wore a silver belt.

How dare you ask me

that question?

No, l don't know which one wore it.

Right.

Cut!

Well, find a cop on duty.

Mm-hmm.

And tell Robinson to call me

as soon as he wakes up.

Which one, Monroe?

Take six.

No, wait, let's see it again.

Roll it again, Jack.

Stage 24,

take five.

Action!

Yeah?

You found the name?

Oh, good work, good work.

Uh-huh.

Well, no, divide the name

between yourselves...

...and try every one in the book.

Okay?

Good work.

Hi.

Will you go to the ball

with me tomorrow night?

What ball?

Screenwriters' Ball...

...down at the Ambassador.

Oh, yeah.

No, l don't think so.

l might just come in late.

Oh?

So...

Uh...

So, when do you go

back to college?

l've just got home.

You get the whole summer off.

l'm sorry.

l'll go back as soon as l can.

Well, don't you want to?

Well, l don't know.

l'm pretty well educated.

Maybe l should get married.

Well, l'd marry you.

l'm lonely, but...

...l'm too old and tired

to undertake anything.

Undertake me.

What?

Undertake me.

Oh, no, Cecilia.

l've known you so long.

l've never thought of you that way.

You don't use that line this year.

What?

Nothing.

Yeah?

Mr. Stahr, Mr. Rodriguez...

...is still waiting to see you.

Oh, yeah. Send him in.

l'm sorry.

These actors...

Did you press that buzzer

with your foot?

Yes.

Of course not.

But you will dance with me

at the ball.

Sure l will.

Hello, Monroe.

Hello!

How are you?

Wonderful, really great.

You look just wonderful.

Thank you.

l had to see you in your office.

Sit down.

So... what's the trouble?

l'm through.

You're through?

What do you mean,

you're through?

Have you seen Variety?

Your picture's held over

at the Roxy.

lt did 37,000 in Chicago last week.

l know.

That's a tragedy.

l'm in a tragic mess.

lt's...

Well, what are you talking about?

lt's Esther and me.

Mm-hmm?

l love her.

She's my wife.

Yeah?

But l'm through.

l'm washed up.

lt's gone.

What's gone?

l've gone.

l'm ashamed to go to bed

with my wife.

l know Rainy Day grossed

25,000 in Des Moines...

...and broke all

records in St. Louis...

...and did 27,000 in Kansas City?

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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