The Kremlin Letter Page #2

Synopsis: A network of older spies from the West recruits a young intelligence officer with a photographic memory to accompany them on a mission inside Russia. They must recover a letter written by the CIA that promises American assistance to Russia if China gets the atomic bomb.
Genre: Crime, Drama, Thriller
Director(s): John Huston
Production: Fox
 
IMDB:
6.4
M
Year:
1970
120 min
222 Views


Your file says you're as smart as they come.

But smart don't matter a damn unless

you're quick too. You gotta be both. See?

Yes. Good.

Good.

Nephew, did you ever read

through that file of yours?

No. Well, i don't recommend it.

It might just turn your head.

How many languages is it you

speak without an accent? Seven?

Eight. Hoo-Wee.

Only fault they can find with you

is in the psychiatrist's report.

They speculate about a death wish,

uh, originatin' from your boyhood...

When you saw your mama and papa and

brothers killed in a plane crash.

- What do you say to that, nephew?

- I say it's a lot of rubbish.

I got a different idea about, uh, why

you dove off that cliff in acapulco...

And why you stuck your

neck out so far in korea.

Nephew, they say that...

Heroes can't imagine their own

death, and that's why they're heroes.

You go 'em one better. You

imagine you're immune to violence.

Not only that, but you've taken

the trouble to collect the proof.

Now, which theory do

you go with? Neither one.

Neither one? Well, now, what do you think?

I think i'm a superior combination of

intellect and physique, athlete and scholar.

When a risk is to be run, i

formulate the ideal procedure...

And calculate the chances

involved with exquisite precision.

If the percentages are sufficiently

in my favor, i put myself into motion,

Having absolute confidence in

the performance of my reflexes.

Nephew, the truth is

you are full of yourself.

How much you got there? $480,000.

Right.

30,000.

Keep it.

You've been with the highwayman

a long time. Long enough.

You must have known

sturdevant. Yeah, i knew him.

You didn't like him. He

was a con man and a coward.

He put out more bushwa than

goebbels did in world war ii.

And he built his own legend.

But the fact is highwayman

did most of the work.

He was the real brain. When

do i get to see the highwayman?

You have seen him. Let's go see him again.

Was everything in the suitcase? Yes, sir.

Well, nephew, i hope you're not

adverse to traveling. No. Not at all.

By the by, how are you on tortillas

and frijoles and all that kind of crap?

So i'm going to mexico. Yes, sir. You're

going to mexico to pick up lord ashley's whore.

You're gonna rustle up the

warlock in san francisco...

And then make tracks to

chicago for the erector set.

Tell them the tillinger foundation

is planning an expedition.

I'm sure about the others, but

the whore might not want to come.

He says he's done his last job.

Well, in that case, nephew,

You give him $25,000 in

advance to soften him up.

Now, if that don't work, this will.

Two or three drops of that'll

freeze him for about 24 hours.

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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