The Killing of a Chinese Bookie Page #2

Synopsis: Cosmo Vitelli owns the Crazy Horse West, a strip joint in California. He's laconic, a Korean War vet, and a gambler. When we meet him, he's making his last payment on a gambling debt. Then, he promptly loses $23,000 playing poker at an illegal local casino. The guys he owes this time aren't so friendly, pressuring him for immediate payment. Then they suggest that he kill a Chinese bookie to wipe off the debt. Vitelli and the film move back and forth between the double-crossing, murderous insincerity of the gamblers and the friendships, sweetness, and even love among Vitelli, the dancers, a dancer's mother, and the club's singer, Mr. Sophistication.
Genre: Crime, Drama, Thriller
Director(s): John Cassavetes
Production: Criterion Collection
 
IMDB:
7.5
Rotten Tomatoes:
77%
R
Year:
1976
135 min
1,221 Views


- Sh*t. I broke a nail.

And they took the gopher home,

and they cut the tail off.

- Then they cooked the tail, and they ate it...

- For Christ's sake.

And they died of botulism.

Botulism? What do you know from botulism?

- These mine?

- Yes. The other ones are mine.

- You're not listening.

- When did you hear about botulism?

I never laughed so hard in

my life. I thought I'd die.

- I don't think it's funny.

- It isn't true. He does this all the time.

I swear to God. On my mother's grave.

- Cosmo.

- They ate... they ate... they ate the tail...

and they died of botulism.

- They died...

- That's sick.

- Well...

- Making me sick, you know.

So, what else is new?

What else is new?

What else is new? What's new

is I can't get this on right.

- The market went down.

- What canyon do?

For a change?

Oh, I'd love to get this mustache off.

And women's fashions are

changing. The skirts are gettin' longer.

- Oh, yeah?

- What do you know about women's fashions?

I look like Salvador Dali..

- All right. See you in a while.

- Okay.

- Okay.

- See you later, Cosmo.

It's all right, Vince. It'll pick up.

- Have a big night.

- Okay.

Hey, your mother's ass!

Any action?

- Are you looking for us?

- Yeah.

Come on in. There you go.

- All right.

- There you go.

- Come on, ladies.

- Thank you.

There you go. Vince, see that

they get seated too?

Take 'em inside. Listen, you drive around

the corner, you park in this parking lot?

All right? Okay.

Okay.

Where's the kid?

Well, where's the kid

who parks the cars, Vince?

- I don't know.

- Go find him.

- Hey.

- Welcome to the Crazy Horse West.

- Thank you.

- I'm Cosmo Vittelli. I'm the owner of this place.

- You own this place?

- Yeah.

This is the greatest joint in town. I

mean, I've been here a million times.

- No kidding.

- Are you kid... I brought three carloads of people.

Well, thanks. I'm sorry you brought 'em here

on a Sunday night. We're a little slow.

- We don't mind that.

- At least we're open.

The rest of the places

on the Strip are closed.

Wait a minute. Is Mr.

Sophistication here?

- He sure is.

- And Rachel and the rest of the girls?

- Yeah. They're here.

- This guy does the whole thing.

So help me God, he choreographs

it, he stages it, he does...

Don't exaggerate.

I do the best I can.

- You got the best joint this side of Vegas.

- Thank you.

I mean, I understand what it is on a

Sunday night. I'm a club owner myself.

- You are?

- Oh, yeah. We got a joint in Santa Monica.

It's not like this. I mean, it's a

little different. Gambling, you know.

- Yeah.

- But it's clean air, seaside.

Well I'd like a little action.

Hey, the sky's the limit

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John Cassavetes

John Nicholas Cassavetes (; December 9, 1929 – February 3, 1989) was a Greek-American actor, film director, and screenwriter. Cassavetes was a pioneer of American independent film, writing and directing over a dozen movies, which he partially self-financed, and pioneered the use of improvisation and a cinéma vérité style. He also acted in many Hollywood films, notably Rosemary's Baby (1968) and The Dirty Dozen (1967). He studied acting with Don Richardson, utilizing an alternative technique to method acting which privileged character over traditional narrative. His income from acting made it possible for him to direct his own films independently.Cassavetes was nominated for three separate Academy Awards: Best Supporting Actor for The Dirty Dozen (1967), Best Original Screenplay for Faces (1968) and Best Director for A Woman Under the Influence (1974). His children Nick Cassavetes, Zoe Cassavetes, and Xan Cassavetes are also filmmakers. more…

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Submitted on August 05, 2018

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