The Hustler Page #2

Synopsis: The Hustler is a 1961 American drama film directed by Robert Rossen from Walter Tevis's 1959 novel of the same name, adapted for the screen by Rossen and Sidney Carroll. It tells the story of small-time pool hustler "Fast Eddie" Felson and his desire to break into the "major league" of professional hustling and high-stakes wagering by high-rollers that follows it. He throws his raw talent and ambition up against the best player in the country; seeking to best the legendary pool player "Minnesota Fats." After initially losing to Fats and getting involved with unscrupulous manager Bert Gordon, Eddie returns to try again, but only after paying a terrible personal price.
Genre: Drama, Sport
Production: Fox
  Won 2 Oscars. Another 11 wins & 20 nominations.
 
IMDB:
8.0
Rotten Tomatoes:
98%
NOT RATED
Year:
1961
134 min
1,481 Views


CUT TO:

5EXT. GAS STATION - AFTERNOON

The door of the Packard coup� slams shut. Eddie Felson holds up his

stuffed billfold for his pal, Charlie Burns, to see. He tosses it on

the seat beside him and turns on the ignition.

QUICK FADE:

MAIN TITLE SEQUENCE

6 INT. AMES POOL HALL - MORNING

FADE IN:

Henry, the elderly Negro janitor, draws up the Venetian blinds to let

the early morning light flood into AMES POOL HALL. Henry is the janitor

of Ames, the sexton of this immense, shabby cathedral of pool, in which

the pews are pool tables covered with oilcloth slipcovers and the great

vault of a room is lit by brass-and-globe chandeliers. Henry ambles

through Ames righting overturned ashtrays and replacing yesterday's

abandoned cue sticks. The cashier enters. He looks at his watch, then

checks his time against that of the clock on the wall.

CASHIER:

Morning, Henry.

Henry nods, then steps up on a stool to fix the minute hand of the

clock. It now stands at ten o'clock.

DISSOLVE TO:

7INT. AMES POOL HALL - DAY

It is twelve-thirty when Eddie Felson and Charlie Burns first enter

into Ames. Only one table is in use; the hall is empty. In Eddie's hand

is his leather cue case. They stand before the swinging doors and look

around.

CHARLIE:

It's quiet.

EDDIE:

Yeah, like a church. Church of the Good Hustler.

CHARLIE:

Looks more like a morgue to me. Those pool

tables are the slabs they lay the stiffs on.

EDDIE:

I'll be alive when I get out, Charlie.

They saunter over to the cashier's cage. A sign on the brass bar reads

NO GAMBLING ALLOWED ...

EDDIE:

Any table?

CASHIER:

Any table.

Eddie's arrival is noted by Big John and Preacher, a gambler and an

addict, who hang out at Ames at all hours, waiting for action.

EDDIE:

(to the cashier)

No bar?

CASHIER:

(with some annoyance)

No bar, no pinball machines, no bowling alleys.

Just pool. Nothing else. This is Ames, mister.

Eddie takes his cue ball from the cashier's cage and heads for a table.

As he passes Charlie, he mimics the cashier wickedly:

EDDIE:

This is Ames, mister.

The two go to a table. Eddie selects a house cue, then rolls it over

the table top to test the roll. He seems pleased. He runs his hand over

the green felt as if he were caressing it. His last test is to sweep

the cue ball into the corner pocket.

EDDIE:

Nice clean pocket drop.

Eddie takes some balls out of the return box and throws them on the

table.

EDDIE:

(chalks his cue)

How much am I gonna win tonight? Hm?

Charlie doesn't reply. But Big John and Preacher lean forward in their

chairs to listen in.

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Sidney Carroll

Sidney Carroll (May 25, 1913 – November 3, 1988) was a film and television screenwriter. Although Carroll wrote most frequently for television, he is perhaps best remembered today for writing the screenplays for The Hustler (1961) for which he was nominated for an Academy Award and for A Big Hand for the Little Lady (1966). He has also won Emmys for the documentaries The Louvre (1978) and China and the Forbidden City (1963). In 1957, Carroll won an Edgar Award, in the category Best Episode in a TV Series, for writing "The Fine Art of Murder", an installment of the ABC program Omnibus. He wrote the screenplays for the 1974 Richard Chamberlain television version of The Count of Monte Cristo as well as the original story for the Michael Caine heist movie Gambit. He continued to write for television until 1986. more…

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