The House of Yes Page #2

Synopsis: 'Jackie-O' is anxiously awaiting the visit of her brother home for Thanksgiving, but isn't expecting him to bring a friend. She's even more shocked to learn that this friend is his fiancée. It soon becomes clear that 'Jackie-O's obsession is nothing compared to her obsession with her brother, as it also becomes clear she isn't the only member of the family with problems...
Genre: Comedy, Drama
Director(s): Mark Waters
Production: Miramax
  1 win & 5 nominations.
 
IMDB:
6.7
Metacritic:
54
Rotten Tomatoes:
62%
R
Year:
1997
85 min
Website
2,150 Views


I don't want a comb.

I want a brush.

- Combs straighten your hair out. I want it to gleam.

- It is gleaming.

- It is not.

- It is. It is. I need sunglasses almost.

- It is?

- It is.

- Marty!

- Uh, Jackie!

- Lesly, this is Jackie-O.

- Hi.

My mother. Anthony.

Meet Lesly.

Lesly and I are engaged.

- I have to find my hairbrush.

- Oh, I-I have a comb.

Marty, you're a wreck.

Give me your coat.

- I was in a hurricane, Mama. I just came in from a hurricane.

- Oh, you look thin.

You're thin. You look so thin.

Oh, my God, I sounded like a mother.

- Didn't I sound just like a mother?

- You are a mother.

I know, but I still

can't believe it.

I look at you people and wonder,

however did you fit in my womb?

Marty, why don't you get the fire really

going like you do? Anthony, you help him.

Squeeze the blower or something.

Lesly and I will check on dinner.

- Can I check on dinner too?

- No, you cannot.

- There's going to be girl talk in there.

- I like girl talk.

If you were there,

it wouldn't be girl talk, would it?

- Do I have to squeeze the blower?

- No, sweetheart.

You just have to do something

in some other location.

You have a lovely home.

- Home?

- Your house. It's lovely.

Oh, yes, it was. I mean, it is. I mean,

it will be until it gets blown away.

We'll all get blown away

to Oz or something.

- Can I help with anything?

- Oh, no. It's all under control.

So, Lesly, how long

have you known Marty?

- Um, about six months.

- And you know him pretty well, do you?

I don't know. I think so. I guess

you've met a lot of Marty's girlfriends.

- No, not really.

- Well, I hope I'm the first fiancee.

Oh, you're definitely the first

and, I hope, the last.

Me too.

I had one great passion in my life.

Do you know what that was?

- Your husband?

- My husband. Precisely.

I didn't know he was my one

great passion until he was gone.

Till he was gone, my one great passion was

the man I met that night at a party...

any man I met at a party who could use

a new adjective to describe me.

I really have no idea

who my children belong to.

All I know for sure is...

that Jackie and Marty

belong to each other.

Jackie's hand was holding Marty's penis

when they came out of the womb.

The doctor swore to me.

It's in some medical journal somewhere.

- I guess I should go freshen up now.

- Oh, do.

By all means.

Look at you, you're drenched.

- Anthony, did I put clean towels out on the bed?

- How should I know?

Go and see.

And show Lesly to the guest room.

- Why not my room, Mama?

- You're not married yet, are you, young man?

- Are there sheets on the bed?

- Mm-hmm.

Make sure to show her how to

jiggle the toilet so it doesn't run.

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Wendy MacLeod

Wendy A. MacLeod (born August 6, 1959) is an American playwright. MacLeod received a BA from Kenyon College in Gambier, Ohio, where she now teaches and is a playwright-in-residence. She received a MFA from the Yale School of Drama.Her works include the plays Sin and Schoolgirl Figure, both of which premiered at Chicago's Goodman Theatre and were directed by David Petrarca. Schoolgirl Figure was then optioned for film by HBO and Anvil Entertainment. The House of Yes, which premiered in San Francisco at the Magic Theatre and was the theatre's second-longest running show, became an award-winning film by the same name, starring Parker Posey, and earned a Special Jury Award at the Sundance Film Festival. Other works include The Water Children, Things Being What They Are, Juvenilia, Apocalyptic Butterflies. Apocalyptic Butterflies was filmed by the BBC as Nativity Blues 1988, starring Alfred Molina. Her play Juvenilia, a comic drama about college students "attempting to find love", premiered off-Broadway at Playwrights Horizons, as did her play The Water Children, both directed by longtime collaborator Petrarca, which has also been seen at Los Angeles’ Matrix Theater where it was cited as "the most challenging political play of 1998" by the L.A. Weekly and earned six L.A. Drama Critics Circle nominations. Things Being What They Are premiered at the Seattle Repertory Theatre and was then seen at Steppenwolf in Chicago in 2003 where its sold-out run was extended twice. The House of Yes has been performed at Soho Repertory Theatre, at the Maxim Gorki Theater in Berlin and at The Gate Theater in London, where it was published in Plays International. MacLeod's play, Find and Sign, premiered at Pioneer Theatre Company in Salt Lake City, Utah in 2012. Set in the New York City music industry (with a slight nod to Othello), Find and Sign is about a bumpy romance between an on-the-rise young record executive and an idealistic public school teacher.Her critically acclaimed comedy Women in Jeopardy! premiered at Geva Theater in 2015, directed by Sean Daniels, and her newest play Slow Food was invited to the 2015 National Playwrights Conference. The play will be premiering at Merrimack Repertory Theater in January 2019. She has been a guest professor at Northwestern University’s film and theater departments. MacLeod's essay "Name Brand Nostalgia" was recently featured in The New York Times and her essay/talk "The Daily Struggle" was given as part of the Kenyon Review's Writers-on-Writing series in October 2016. Her prose and humor pieces have appeared in Poetry magazine, The New York Times, Salon, The Rumpus, McSweeney's Internet Tendency, The Washington Post, and All Things Considered. MacLeod worked as the Executive Story Editor for ''Popular'' (TV Series) for the WB and wrote the pilot "Ivory Tower", commissioned by CBS, produced by Brillstein-Grey (The Sopranos) and Diane Keaton, with actress Jeanne Tripplehorn (Big Love). She currently serves as the Artistic Director of the Kenyon Playwrights Conference. The Kenyon Playwrights Conference supports the early-stage development of new work through its commissioning program and offers an intensive playwriting workshop for playwrights at all stages in their careers, led by artistic leaders of partner companies which have included The Atlantic Theater, Playwrights Horizons, Steppenwolf Theater, Roundabout Theatre, Hampstead Theater, The Old Vic, The Royal Court Theater, La Jolla Playhouse, and ACT Theatre in Seattle. She is married to Read Baldwin and has two sons: Foss and Avery Baldwin. more…

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