The Handmaid's Tale Page #2
Season #1 - Episode #1- Year:
- 2017
- 2,090 Views
THE BLOOD-RED VAN drives away down the country road. As it
grows smaller in the distance, we hear JUNE’S VOICE.
JUNE (V.O.)
(calm)
A chair. A table. A lamp.
INT. WATERFORD HOUSE - BEDROOM - DAY
The bedroom is perfectly neat, decorated in beiges.
Polished wood floor, braided rug. A folksy touch.
It could be a room in a QUAINT NEW ENGLAND B&B.
JUNE (V.O.)
Above, on the ceiling in the middle
of the room, there’s a spot that’s
been plastered over.
(and then)
There must have been a chandelier
once. They’ve removed anything you
can tie a rope to.
JUNE sits, hands folded, looking out of the window. She wears
a full RED DRESS, almost a cloak.
A starched-white bonnet covers her head, obscures her face.
JUNE (V.O.)
There’s a window with white
curtains. The glass is
shatterproof. But it isn’t running
away they’re afraid of. A Handmaid
wouldn’t get far. It’s those other
escapes, the ones you can open in
yourself.
(and then)
Given a cutting edge.
(and then)
(MORE) (CONTINUED)
"Pilot" 11/29/15 6.
CONTINUED:
JUNE (V.O.) (CONT'D)
chandelier.
It is an otherworldly tableaux. A woman draped in red, in
this dollhouse-perfect bedroom.
JUNE (V.O.)
I try not to think about those
escapes. It’s harder on Ceremony
day.
(and then)
Thinking can hurt your chances. And
I intend to survive. I intend to
survive for her.
(and then)
My name is Offred. I had another
name, but it’s forbidden now. So
many things are forbidden now.
June is now OFFRED.
Welcome to our world. Welcome to Gilead.
Somewhere in the house, a CLOCK CHIMES loudly.
INT. WATERFORD HOUSE - HALLWAY/STAIRS - DAY
Offred walks down the stairs. She moves so quietly, it’s
like she doesn’t even push any air in front of her.
She stops outside the kitchen door.
IN THE KITCHEN, RITA (50, gruff) kneads bread. She wears a
DULL GREEN DRESS -- the uniform of a “Martha” -- the caste of
domestic workers in this society.
Offred watches her kneading the heavy bread dough.
OFFRED (V.O.)
Rita makes the bread from scratch.
It’s the kind of thing they like
the Marthas to do.
(and then)
A return to traditional values,
that’s what they fought for.
Rita sees Offred.
RITA:
(annoyed)
Always showing up when I’m in the
midst. Hold your horses.
She wipes her floury hands on her apron and pulls a set of
KEYS from her pocket. She crosses to a cabinet, unlocks it.
(CONTINUED)
"Pilot" 11/29/15 7.
CONTINUED:
Offred waits in the hallway. A SOFT CLICKING CATCHES HER
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