The Handmaid's Tale Page #2

Synopsis: Set in a Fascistic future America, The Handmaid's Tale tells the story of Kate, a handmaid. In this America, the religious right has taken over and gone hog-wild. Kate is a criminal, guilty of the crime of trying to escape from the US, and is sentenced to become a Handmaid. The job of a Handmaid is to bear the children of the man to whom she is assigned. After ruthless group training by Aunt Lydia in the proper way to behave, Kate is assigned as Handmaid to the Commander. Kate is attracted to Nick, the Commander's chauffeur. At the same time, a resistance movement begins to challenge the regime.
Genre: Drama, Romance, Sci-Fi
Director(s): Volker Schlöndorff
Production: HBO Video
  2 wins & 1 nomination.
 
IMDB:
6.0
Rotten Tomatoes:
31%
R
Year:
1990
108 min
1,968 Views


Right. Anyone.

There was date rape,

even on campus.

[ Indistinct chatter ]

It was horrible.

Name her.

Yes, your name?

Come on.

Step forward now.

What am I supposed to say?

Just tell us how it was

back then.

It was horrible.

Speak up.

I was raped when

I was fourteen by six guys...

in my high school class.

It, um...

It was at a party.

We'd all been drinking.

I thought that they

were my friends.

Then I, uh,

I had... an abortion.

[ Gasping ]

But it wasn't my fault.

My mother, she made me do it.

She wouldn't let me

have the baby.

Whose fault was it?

ALL:
Her fault.

[ All repeating ]

Who led them on?

ALL:
She did.

[ All repeating ]

Why did God allow

such a terrible thing to happen?

- Teach us a lesson.

- Let's hear it.

ALL:
Teach us a lesson.

[ All repeating ]

What is she?

ALL:
She's a whore.

ALL:
[ Chanting ]

Whore!

I'm going crazy.

This is a f***ing loony bin.

That's enough.

ALL:
Whore!

I didn't...

I didn't mean to do it.

I led them on.

I assume the pain. I'm sorry.

Very good, Janine.

Bathroom?

[ Door creaks open ]

Is that you?

Yes.

God, do I need a cigarette.

Listen...

I have a placement.

I go tomorrow.

Oh, f***! I'll miss you.

I'll miss you, too.

The damn wives

don't want me.

I don't know why.

Maybe I scare them.

Maybe they think I want

to touch their tits.

Maybe it's the

damn f***ing husbands.

Maybe they know

I think they suck.

Jesus, Moira.

Be careful, for Christ's sake.

I don't know

what's wrong with me.

I gotta get outta here, Kate.

I gotta do something.

I'm gonna fake like I'm sick.

KATE:

Really bright. Then what?

Then there'll be two guys

in the ambulance.

They must be starved for it.

I'll suck their f***ing c*cks...

till they're blue in the face.

They'll do whatever I say.

You're not serious.

Yes, I am. I'm going to.

I swear to God.

KATE:

You'll never get away with it.

Don't think like that.

It's bad for business.

All right, girls.

Move along.

Hello, my name is Janine...

and I'll be your wait person

this morning.

- Let me get you...

- Janine.

Get your clothes on, Janine.

Come on.

Put your clothes on.

You're gonna get extra prayers

for the rest of us.

Kate!

Kate!

Come on!

- Janine.

- Get you some coffee.

- Hello, my name...

- OK, come on.

Hello, my name is Janine.

Good morning to you, too.

Hello, my name is Janine,

and I'll be your wait person...

Snap out of it, Janine,

snap out of it!

[ Slap ]

Look at me.

Look at me!

What'd you hit me for?

Wasn't it any good?

I can get you another one.

Look at me. I am Moira.

This is the Red Center.

Look at me!

Sorry. I'm sorry.

She does that again, and I'm

not here, slap her. Talk to her.

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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