The Go-Between Page #2

Synopsis: Summer 1900: Queen Victoria's last and the summer Leo turns 13. He's the guest of Marcus, a wealthy classmate, at a grand home in rural Norfolk. Leo is befriended by Marian, Marcus's twenty-something sister, a beauty about to be engaged to Hugh, a viscount and good fellow. Marian buys Leo a forest-green suit, takes him on walks, and asks him to carry messages to and from their neighbor, Ted Burgess, a bit of a rake. Leo is soon dissembling, realizes he's betraying Hugh, but continues as the go-between nonetheless, asking adults naive questions about the attractions of men and women. Can an affair between neighbors stay secret for long? And how does innocence end?
Genre: Drama, Romance
Director(s): Joseph Losey
Production: Columbia Pictures
  Nominated for 1 Oscar. Another 9 wins & 10 nominations.
 
IMDB:
7.4
GP
Year:
1971
116 min
239 Views


Have you written to her, Leo ?

- Yes, I have.

- Good.

You've chosen very well, Marian. Did

you do any shopping for yourself ?

Oh, no, mama. That can wait.

It mustn't wait too long.

You didn't see anyone in Norridge,

I suppose ?

Not a soul. We were hard at it all

the time, weren't we, Leo ?

Yes, we were.

Your mother has written to me that

you are liable to colds.

But you can watch the others

bathe, of course.

Why are you bringing your bathing

suit if you're not allowed to swim ?

It's just a bathing party.

But you're not going to swim.

I know I'm not.

In that case, why ?

What cheek ! The man's trespassing.

What should we do ?

Order him off.

What cheek !

Who can he be ?

I don't know.

He's a good swimmer.

And really rather well-built.

Don't you think ?

Come on, Jane. Let's go and change.

Shall we order him off ?

- It's Ted Burgess.

- Who's he ?

The tenant of Blackfarm.

We can't be rude to him.

He farms the land on the other side.

Perhaps you'd better be nice to him.

I should just say how do you do.

We don't know him socially, of course.

But I think I'd better be nice

to him, don't you ?

I would say so.

I didn't know anyone was going

to be here.

Just started on the harvest.

- It got so hot.

- Don't worry at all, please.

We were hot too, up at the hall.

Very hot.

I won't be long. Just one more header.

Absolutely, absolutely.

I think I put him at his ease, don't you ?

I shouldn't put on a bathing suit

if you're not going to swim.

It would look absurd.

What do you think you're doing ?

I'll get you for that.

No.

Revenge !

No ! Stop it.

I'll get you for that.

My hair's gone down. It's all wet.

I'll never get it dry.

Oh, you do look so dry and smug.

I should like to throw you in the river.

Is that man gone ?

Yes. He went off in a hurry.

His name is Ted Burgess.

He's a farmer.

Do you know him ?

Oh, I may have met him.

Oh, it's dripping on my dress.

Here's my bathing suit.

It's quite dry.

If you fasten it around your neck,

so that it hangs down your back...

...then you can spread your hair on it,

and your hair will get dry

and your dress won't get wet.

Spread my hair on it.

Take care not to pull it.

Is it well spread ?

Is it dry ?

What a comfort.

Your bathing suit on my shoulders.

Is my hair well spread ?

Oh yes, it is.

See then that ye walk circumspectly,

not as fools, but as wise,

redeeming the time because

the days are evil.

Wherefore be not unwise,

but understanding what

the will of the Lord is.

And be not drunk with wine,

wherein is excess.

But be filled with the spirit,

speaking to yourselves in psalms

and hymns and spiritual songs,

singing and making melody

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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