The Glass Slipper Page #2

Synopsis: In a small pleasant European village, there is one unhappy person: Ella. She is despised by everyone, and mistreated by her stepmother and stepsisters. Out feeling miserable one day, Ella meets a handsome young man, who falls for her. He is really Prince Charles, the son of the Duke, but he tells her he is the son of the cook, and invites her to a great ball at the Duke's castle. A strange woman who lives in the mountains by herself befriends Ella, and dresses her up so she can attend the ball. She goes, and is a great success, but must run out at midnight. In her haste, she drops a single glass slipper. The Prince uses the slipper to find her.
Genre: Musical, Romance
Director(s): Charles Walters
Production: MGM
 
IMDB:
6.5
UNRATED
Year:
1955
93 min
328 Views


IT DOES PRESEN A PROBLEM.

WHAT'S YOUR NAME?

MRS. TOQUET.

OH, YOU'RE THE CRAZY LA--

I MEAN...YOU'RE THE ONE

WHO LIVES ALL BY YOURSELF?

THEY SAY YOU NEVER COME

INTO THE VILLAGE DURING DAYTIME.

THAT'S RIGHT.

WHY?

BECAUSE I ALWAYS

GO THERE AT NIGHT.

YOU--YOUR SHOES

ARE GETTING WET.

YES. IT'S THE WATER.

OH.

DO YOU LIVE:

IN THE VILLAGE?

YES.

WITH BIRDENA, SERAFINA,

AND MY STEPMOTHER.

OH. HOW ARE THEY?

OH, YOU KNOW THEM?

NO. IF I KNEW THEM,

I WOULDN'T HAVE TO ASK.

OH.

WELL, THEY'RE

VERY WELL, THANK YOU.

THEY'RE VERY BUSY NOW.

THEY'RE GETTING READY

TO GO TO THE BALL--

DAY AFTER TOMORROW

AT THE PALACE.

THEY ARE GOING:

TO MEET THE PRINCE.

YOU SEE, BIRDENA

AND SERAFINA:

ARE THE MOST BEAUTIFUL GIRLS

IN THE WHOLE VILLAGE.

THEY CAN SEW VERY WELL,

AND THEY HAVE FINE MANNERS

AND BEAUTIFUL CLOTHES.

THEY ARE JUST EVERYTHING

THAT GIRLS SHOULD BE.

AND YOU? WHERE ARE

YOUR PRETTY CLOTHES?

OH, I DON'T CARE

WHAT I LOOK LIKE.

THAT'S NO REASON

FOR FRIGHTENING PEOPLE.

IT DOESN'T MATTER.

NOBODY LIKES ME ANYWAY.

I LIKE YOU.

YOU DON'T.

I DON'T NEED ANYBODY

TO LIKE ME.

I DON'T CARE.

I DON'T CARE ONE BIT,

BECAUSE, ONE DAY, I'M GOING

TO LIVE IN THE PALACE.

OH?

IN THE DUCAL PALACE?

THAT'S RIGHT.

A VERY PLEASANT PLAN.

WHO ARRANGED IT?

WELL...

ONE DAY, THERE'S AN OLD LADY

WHO CAME TO SEE MY MOTHER.

SHE WAS A TELLER

OF FORTUNES, THEY SAY.

AND SHE TOLD MY MOTHER

THAT SOME DAY:

HER CHILD WOULD LIVE

IN THE PALACE.

AND I WAS BORN:

THREE HOURS LATER.

MY MOTHER USED TO TELL ME

THIS STORY VERY OFTEN

WHEN I WAS A LITTLE GIRL.

SHE DIED WHEN I WAS

FIVE YEARS OLD.

WHAT DO YOU EXPEC TO DO IN THE PALACE?

OH. WELL, LOTS OF THINGS.

YOU KNOW.

SOUNDS VERY PRACTICAL.

AND I'LL PUNISH

EVERYBODY I HATE.

NO, YOU WON'T.

OH, YES, I WILL.

I WILL.

HERE.

WHERE'D YOU GET THIS?

OH, HERE AND THERE.

OH, YES, I HEARD

ABOUT THAT.

HERE, YOU'D BETTER

TAKE IT BACK.

OH, THANK YOU,

THANK YOU VERY MUCH.

NEVERTHELESS.

NEVERTHELESS WHAT?

NEVERTHELESS:

IS A NICE WORD.

ISN'T IT PLEASANT TO SIT AND

EXCHANGE WORDS WITH A FRIEND?

I NEVER DID IT BEFORE, I MEAN,

JUST SAT WITH A FRIEND AND TALKED.

WELL, WHAT'S THE MATTER

WITH YOUR FRIENDS?

DON'T THEY HAVE

A SITTING PLACE?

WELL, IT'S BECAUSE I...

I DON'T THINK

I HAVE ANY FRIENDS.

I MEAN, I DON' THINK I DO.

BECAUSE WHEN:

THEY'RE YOUR FRIENDS,

DOES THAT MEAN THA YOU CAN TELL THEM

EVERYTHING YOU LIKE

AND WHAT YOU DO:

AND WHAT YOU FEEL

AND ALL THAT?

AND THAT THEY'LL ALWAYS

BE ON YOUR SIDE?

DOESN'T IT?

THAT'S RIGHT.

WELL, I DON'T HAVE

ANYBODY LIKE THAT.

YOU HAVE ME.

I'M ON YOUR SIDE.

AND I'M VERY DEEPLY INTERESTED

IN WHAT YOU FEEL AND THINK.

TELL ME.

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Helen Deutsch

Helen Deutsch (21 March 1906 – 15 March 1992) was an American screenwriter, journalist and songwriter. Deutsch was born in New York City and graduated from Barnard College. She began her career by managing the Provincetown Players. She then wrote theatre reviews for the New York Herald-Tribune and the New York Times as well as working in the press department of the Theatre Guild. Her first screenplay was for The Seventh Cross (1944). She adapted Enid Bagnold's novel, National Velvet into a screenplay which became a famous film (1944) starring Elizabeth Taylor. After writing a few films (Golden Earrings (1947), The Loves of Carmen (1948) and Shockproof (1949) ) for Paramount and Columbia Pictures, she spent the greater part of her career working for Metro-Goldwyn-Mayer and wrote the screenplays for such films as King Solomon's Mines (1950), Kim (1950), It's a Big Country (1951), Plymouth Adventure (1952), Lili (1953), Flame and the Flesh (1954), The Glass Slipper (1955), I'll Cry Tomorrow (1955), Forever, Darling (1956) and The Unsinkable Molly Brown (1964). Her last screenplay was for 20th Century Fox's Valley of the Dolls (1967). more…

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Submitted on August 05, 2018

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