The French Lieutenant's Woman Page #2

Synopsis: A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her leave him after a short, but passionate affair. Anna and Mike, who play the characters of Sarah and Charles, go, during the shooting of the film, through a relationship that runs parallel to that of their characters.
Genre: Drama, Romance
Director(s): Karel Reisz
Production: MGM Home Entertainment
  Nominated for 5 Oscars. Another 9 wins & 15 nominations.
 
IMDB:
7.0
Metacritic:
64
Rotten Tomatoes:
72%
R
Year:
1981
124 min
594 Views


He is a man she's said to have...

Fallen in love with?

- Worse than that.

- Ah. And he abandoned her.

Is there a child?

I think not.

Oh, it's all gossip.

What's she doing here?

They say she's waiting for him to return.

How banal.

(woman) How has she supported

herself since her dismissal?

(vicar) Most pitifully. I understand...

Miss? Miss?

Miss Woodruff,

would you come in, please?

Mrs Poulteney, this is Miss Woodruff.

I see.

I wish, as the vicar has told you...

...to take a companion.

He has indicated to me that you might be

a suitable person for such a post.

- You are without employment?

- I am, ma'am.

- But you have been a governess?

- I have, ma'am.

The post of companion requires a person

of irreproachable moral character.

- I have my servants to consider.

- (clears throat)

- You speak French, I believe?

- I do, ma'am.

- I do not like the French.

- (clears throat)

Perhaps you might

leave us now, Mr Forsythe.

Yes, of course, Mrs Poulteney.

Good afternoon.

Mr Forsythe informs me that you...

...retain an attachment

to a... foreign person.

I have heard from

the most impeccable witnesses...

...that you're always to be seen

at the same place when you're out.

You stand on the Cobb and look to sea.

I'm led to believe that

you're in a state of repentance...

...but I must emphasise that such

staring out to sea is provocative...

...intolerable... and sinful.

If you consider me unsuitable

for this position...

...do you wish me to leave the house?

- I wish you to show...

...that this person

is expunged from your heart!

- How am I to show it?

- By not exhibiting your shame!

I should like to hear you

read from the Bible.

If your expression is agreeable to me...

...you shall have the position.

- Mike?

- Yeah?

Listen to this.

"In 1857, it is estimated there were 80,000

prostitutes in the county of London."

Yeah?

"Out of every 60 houses,

one was a brothel."

Hoo, hoo, hoo!

"At a time when the male population of

London was one and a quarter million...

...the prostitutes were receiving clients

at a rate of two million per week."

- Two million?

- Yeah.

You know when I say in the graveyard

scene about going to London?

(helicopter overhead)

"If I went to London,

I know I should become...

...what some already

call me here in Lyme."

- Go on. Yeah?

- Well, that's what she's really faced with.

This man says that

hundreds of the prostitutes...

...were nice girls, like governesses,

who'd lost their jobs.

You offend your boss, you lose

your job, you're out on the streets.

That's the reality.

The male population was

one and a quarter million?

Yeah.

Well, if we take away a third

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Harold Pinter

Harold Pinter (; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980. Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007. Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008. more…

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Submitted on August 05, 2018

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