The Entertainer Page #2

Synopsis: On the far side of middle age, Archie Rice lives in a British seaside resort with his father, retired successful vaudevillian Billy Rice, second wife Phoebe Rice, and doting son Frank Rice. Following in retired Billy's footsteps, Archie is a song-and-dance music hall headliner, with Frank supporting his dad as his shows' stage manager. The waning popularity of Archie's type of shows, a dying form of entertainment, is not helped by Archie's stale second rate material, which brings in small unappreciative crowds. Archie clings to his long held lifestyle, including heavy drinking and chronic infidelity, of which Phoebe is aware. What Archie has not told his offspring is that Phoebe was his mistress while he was still married to their now deceased mother. His want to be a music hall headliner is despite his financial problems, he an undischarged bankrupt who now signs Phoebe's name to everything. Phoebe wants them to escape this life to something more stable, such as the offer from her rel
Genre: Drama
Director(s): Tony Richardson
Production: Continental
  Nominated for 1 Oscar. Another 1 win & 4 nominations.
 
IMDB:
7.1
Rotten Tomatoes:
80%
NOT RATED
Year:
1960
96 min
698 Views


for us to get out of it.

I'm sorry.

- I'm so tired.

- (whispers) I know. I'm sorry.

Don't be.

Take me to bed.

I'm all right, Granddad.

I feel better now I've talked about it.

You always liked coming to see me.

You were a pretty little thing.

Not that looks are everything.

You don't look at the mantelpiece

when you poke the fire.

Archie always saw

you were nicely turned out.

He was a smart little boy himself.

Used to dress 'em in sailor suits then.

- Funny how they all turn out.

- How is Dad?

He's a fool. Raising money for another

show when he hasn't enough for this one.

- What's this one like?

- I don't know. I haven't seen it.

They don't want human beings any more.

You're a lovely lot tonight.

I've played in front of them all, you know.

The Queen, the Duke of Edinburgh,

the Prince of Wales...

- What's that other pub?

- (faint titters)

That went better at first house.

What about these crooners?

I don't know what they're coming to.

Look at the stuff they sing.

"The Darktown Strutters' Ball".

"The Basin Street Ball".

"The Woodchoppers' Ball".

It's a lot of... rubbish, isn't it?

- He's a bit suggestive, isn't he?

- Now I'm going to sing you a little song.

A little song written by Rimsky-Nastikov.

It's entitled "The Church Bell Won't Ring

Tonight as the Vicar's got the Clapper."

Hide your face, Mum,

the girls have got me

I shan't be home for an hour or two

I've got all sorts of nice things to do

They've got me worked up

in such a state

So hide your face, Mum,

cos I can't hardly wait

So hide your face, Mum,

the girls have got me

The girls, the glamorous gorgeous girls,

have got me

All right, Nicky?

- Hey.

- Take her up.

- Jean!

- Hello, Frank.

Nice to see you, love.

- Got a holiday?

- Sort of. I've just seen Granddad.

Dad's on.

As you may possibly have guessed.

- He'll be off in a minute, though.

- OK.

But it's when she'd gone and left me

That I started to say good night

(thin applause)

- Can't be anyone in front tonight.

- Look who's here.

Hello, Jean!

This is nice.

I haven't got my glasses on.

I know. You thought I was

the income tax man.

- All right, are you?

- Fine.

Hide your face, Mum,

the girls have got him

He won't be home for an hour or two

He's got all sorts of nice things to do

They've got him

worked up in such a state

Hide your face, Mum

The girls, the glamorous gorgeous girls,

have got him now

(applause)

(applause peters out)

- How's it going?

- First house about 60 sad little drabs.

- Tonight about 200 sad little drabs.

- Excuse me.

Frank! I'd like to see you.

If we go on next week, it will be by very

reluctant agreement of 20 angry people.

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John Osborne

John James Osborne (Fulham, London, 12 December 1929 – 24 December 1994) was an English playwright, screenwriter and actor, known for his excoriating prose and intense critical stance towards established social and political norms. The success of his 1956 play Look Back in Anger transformed English theatre. In a productive life of more than 40 years, Osborne explored many themes and genres, writing for stage, film and TV. His personal life was extravagant and iconoclastic. He was notorious for the ornate violence of his language, not only on behalf of the political causes he supported but also against his own family, including his wives and children. Osborne was one of the first writers to address Britain's purpose in the post-imperial age. He was the first to question the point of the monarchy on a prominent public stage. During his peak (1956–1966), he helped make contempt an acceptable and now even cliched onstage emotion, argued for the cleansing wisdom of bad behaviour and bad taste, and combined unsparing truthfulness with devastating wit. more…

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Submitted on August 05, 2018

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