The Devils Page #2

Synopsis: Cardinal Richelieu and his power-hungry entourage seek to take control of seventeenth-century France, but need to destroy Father Grandier - the priest who runs the fortified town that prevents them from exerting total control. So they seek to destroy him by setting him up as a warlock in control of a devil-possessed nunnery, the mother superior of which is sexually obsessed by him. A mad witch-hunter is brought in to gather evidence against the priest, ready for the big trial.
Director(s): Ken Russell
Production: Warner Bros.
  4 wins.
 
IMDB:
7.8
Rotten Tomatoes:
72%
R
Year:
1971
111 min
1,991 Views


The chemist and the surgeon,

it's no good, Mother is dying!

A delicate dusting of pollen,

nature's most fragrant balm,

eucalyptus pollen.

From the Greek kaluptos,

covered flower protected by a cap.

A trap for the heroic hornet.

Hymenopterous healer.

A poison to exorcise poison.

Kill or cure!

Yesterday, powdered mistletoe.

Black cherry water.

It's a recognised cure!

Nobody ever complains!

Leeches! Dried vipers!

Sarsaparilla and poppy heads,

and now what?.

Hornets?.

Mother, please!

And what fresh lunacy is this?.

- A crocodile?.

- Schoolgirls walking two by two.

Simian reptile,

corpuscular circulation, invaluable aid.

Not the crocodile!

Turn your face towards God, my daughter.

Be glad. Be glad.

You stand on the threshold

of everlasting life. I envy you.

Bring out your dead!

- Bring out your dead!

- Bring out your dead!

- Bring out your dead!

- Bring out your dead!

Let us pray for her together.

We commend to thee, O Lord,

the soul of thy servant, Madame...

De Brou.

De Brou.

De Brou.

And although to this world she is dead,

to thee may she still live.

And the sins she has committed

in this life through...

through human frailty

do thou in thy merciful goodness

forgive.

- Amen.

- Amen.

Where are you?.

Hiding among the corpses, are you?.

Come out, you coward!

The dead shall not save you now.

- Where is he?.

- Who?.

The priest!

That desecrator of virtue, Grandier.

No woman in the entire town is safe

from the lust of that man. Not one!

- Neither mother nor daughter.

- Living or dead.

Necrophilia interruptus.

Virga distracta. Whores.

He stinks of sanctimonious whores.

Enough, sir. You slander my daughter.

- He's inside the house, Mr Magistrate.

- He's upstairs, inside the house.

There he is!

Despoiler of my child, my innocent lamb!

Even the most innocent lamb is destined

for the lustful ram, Monsieur Trincant.

Her lily-white purity is stained!

Except in sermons, or in Heaven.

Even lilies decay into rottenness, sir.

Catch!

I'll see you in Hell!

Walking on a living pavement

of aborted bastards, no doubt.

You foul, God-forsaken creature!

He ought to be reported to the Pope.

He ought to be prosecuted as well,

Mr Magistrate.

My cousin tells me

his daughter is pregnant.

Well, you have your whores.

Why do you have to meddle with her?.

- It seemed a way.

- A way to what?.

I begin to understand at last

that all worldly things

have a single purpose

for a man of my kind.

Power, politics, riches,

women, pride, ambition.

I choose them with the same care

that your cousin,

Monsieur Trincant,

might select a weapon.

My intention is different.

You see,

I need to turn them against myself.

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Ken Russell

Henry Kenneth Alfred Russell (3 July 1927 – 27 November 2011) was an English film director, known for his pioneering work in television and film and for his flamboyant and controversial style. His films in the main were liberal adaptations of existing texts, or biographies, notably of composers of the Romantic era. Russell began directing for the BBC, where he made creative adaptations of composers' lives which were unusual for the time. He also directed many feature films independently and for studios. He is best known for his Oscar-winning film Women in Love (1969), The Devils (1971), The Who's Tommy (1975), and the science fiction film Altered States (1980). Russell also directed several films based on the lives of classical music composers, such as Elgar, Delius, Tchaikovsky, Mahler, and Liszt.Film critic Mark Kermode, speaking in 2006, and attempting to sum up the director's achievement, called Russell, "somebody who proved that British cinema didn't have to be about kitchen-sink realism—it could be every bit as flamboyant as Fellini. Later in his life he turned to making low-budget experimental films such as Lion's Mouth and Revenge of the Elephant Man, and they are as edgy and 'out there' as ever".Critics have accused him of being obsessed with sexuality and the Catholic Church. more…

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Submitted on August 05, 2018

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