The Devil's Disciple Page #2

Synopsis: In a small New England town during the American War of Independence, Dick Dudgeon, a revolutionary American Puritan, is mistaken for local minister Rev. Anthony Anderson and arrested by the British. Dick discovers himself incapable of accusing another human to suffer and continues to masquerade as the reverend. The minister's wife, Judith, is moved by Dick's actions and mistakenly interprets them as an expression of love for her. In spite of his protestations she finds herself romantically attracted to him. Brought before British commander General Burgoyne, Dudgeon displays his willingness to die for his principles. At the last minute Dick is saved from ministerial pursuits to become a revolutionary leader.
 
IMDB:
7.4
APPROVED
Year:
1959
83 min
294 Views


Now. Go on. Way back a little.

Give back there. Go on. Back.

Get them out of there!

Get your cart of the bridge!

Come on!

Here! Here!

Take the reins, Christy.

They killed father, too.

Before we even got here.

Stay here, Christy.

- Who is the officer in charge here?

- Come on man, move away from me, and

- it's all over.

- I want the officer.

- Go about your business.

- Officer! Sir!

- Right, carry on.

- That man was from my parish.

I am his minister.

- Really?

- It's gross injustice. He is innocent.

- He was found guilty. Simple as clear.

- In the meantime I'll clear ...

- Mr. Hawkins!

- What is it?

- It's that minister of yours, from Websterbridge. He stirred up trouble.

Damn that man!

- Out of the question. The body remains.

- I cannot believe you mean it.

Anderson, don't be a fool!

Sergeant at arms,

arrest that man!

- You can't leave that body there!

- Anderson.

Indeed, Lieutenant, this man does not

understand military necessity.

He is a minister. A minister!

The man of peace!

Is he? Parshotter, you vouch

for that too, I am sure.

- Ehm ... Yes.

- He's of Websterbridge,

I've been there, that's a small village.

We don't see much of the world.

- Timothy Dudgeon ...

- The church must support any measures

designed to save human life.

- Don't you agree, Mr. Parshotter?

- Ehm ... Yes.

Will you leave man's body hanging there...?

It's a warning - to others!

- Precisely.

- You must think before you

do anything to endanger the lifes of

innocent men and women.

- My flock, Mr. Anderson.

- I am sure that we can vouch

for the Pastor, Lieutenant.

- Very well. Get back to your posts.

- Thank you, sir.

Thank you, Mr. Hawkins.

There's nothing more

to be said, my friends.

Let us all go about our business.

Halt! Halt!

Stop him! Stop him!

Halt! Halt!

Come on! Come on!

There he is!

Stop him!

Home at last. I thought you'll

never get back from Springtown.

Mrs. Dudgeon hardly spoke all that time.

It's been a long day.

You must be tired.

Come straight to bed.

Who's there?

Good evening, minister.

- Allow me to present myself.

- Richard Dudgeon!

You remember me! I thought that good

people of Websterbridge found more

convenient to forget me, eh?

Oh, my father - you know quite well,

I believe. I found him in Springtown -

at a ... loose end... In fact, he ... eh ...

- I was there.

- So you were.

With a musket in your hand?

Then you remember

your Christian duty, eh?

Ah, poor father.

Red coats did him too much credit.

He had not stomach for a rebel either.

If you cared so little for your father,

why did you risk your life for his body?

To annoy the English,

what ever reason?

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John Dighton

John Dighton (1909 – 1989) was a British playwright and screenwriter. Dighton wrote for the stage until 1936, when he made the transition to films. His output during the 1940s included comedian Will Hay's last starring features, and several George Formby films as well as the 1947 adaptation of Charles Dickens' Nicholas Nickleby, and the 1943 war movie Undercover starring John Clements and Michael Wilding. Employed by Ealing Studios, he collaborated on the screenplays of such celebrated comedies as Kind Hearts and Coronets (1949) and The Man in the White Suit (1952), sharing an Academy Award nomination for the latter. He gained a second nomination for the American-financed Roman Holiday (1953). Two of his more popular stage plays, The Happiest Days of Your Life and Who Goes There! (known as The Passionate Sentry in the USA), were successfully adapted for the screen by Dighton himself, the former in collaboration with Frank Launder. His final screen credit was his adaptation of George Bernard Shaw's The Devil's Disciple, penned in collaboration with Roland Kibbee. more…

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Submitted on August 05, 2018

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