The Crow Page #4
- R
- Year:
- 1994
- 102 min
- 1,253 Views
ANGLE - RESUMING ERIC AND WOMAN
She fades. He
lets her drop away, horrified. And staggers back
into the cover of the
alley. Her blood is on his hands.
ANGLE - ALBRECHT RUNNING
Skidding
in, spotting the woman. Kneeling to her.
ALBRECHT:
Here now! You're
gonna be okay!
Can you understand me? I'm a
police officer...
The
woman is no longer in pain. Deathly calm now.
WOMAN:
He touched me
and it stopped. The
pain.
ALBRECHT:
What did you say?
WOMAN:
I:
saw a ghost...
Her eyes roll back and she dies in Albrecht's arms.
ALBRECHT:
Oh no... don't go, darlin', you
stay with me, now... sh*t!
HIGH ANGLE CROW POV - THE ALLEY
BOOMING BACK from Albrecht, the woman,
onlookers, as police
units screech up to assist.
EXT. ALLEY BEHIND
ARCADES GAMES SUPPLY HOUSE - ON ERIC - NIGHT
Eric in lurching flight,
panting. Stops and steadies against
the wall across from the backside of
Arcade Games.
Circling, then lighting on the
BACK WINDOWS OF ARCADE GAMES - ("CROWVISION")
"CROWVISION" is what the crow "gives" Eric to see. Visually
distinct
and immediately identifiable.
ERIC'S POV - BACK WINDOWS OF ARCADE GAMES
Which he's already seen through the crow's eyes.
ANGLE - ERIC
looking
up at the crow. Disoriented. Doesn't understand.
Suddenly he cottons,
and covers his eyes just in time to shield
from:
GAMES:
The rear windows EXPLODING outward in a spray of fire and
debris.
ANGLE - WITH ERIC
he reels back, crashes into a dumpster. Falls.
ANGLE:
- THE CROW
landing on the dumpsters edge near a pair of discarded combat
boots in the trash. Flames.
LOW ANGLE - ERIC
The blood from his hands
mars his burial shirt. He tears the
shirt away, leaving his tie absurdly
intact. Wipes his face
with his shirt. Discards it. Stops, held by his
discovery --
as his fingers explore the five puckered
bullet punctures in his
chest. Almost a circle. Comically, he feels his
back foe exit
wounds. Then hauls himself upright, coming level with the
crow.
His glance at the bird is almost accusatory.
ANGLE - THe CROW
Inscrutable. We should get the idea that some silent
communication is
taking place.
ANGLE - ERIC'S FEET
bare, muddied, frozen. TILT to
Eric. His gaze moves from the
crow to the boots in the trash. He grabs
them, pushes them onto
his bare feet. His eyes catch the firelight.
Distant o.s.
SIRENS:
ERIC:
Fire. In the rain.
DISSOLVE TO:
INT.
CLUB TRASH - NIGHT
We are now within the neon techno-depths of Club
Trash. The BG
music is hard, savage, primal: a doom-laden Radio
Werewolf band
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Crow" Scripts.com. STANDS4 LLC, 2024. Web. 19 Apr. 2024. <https://www.scripts.com/script/the_crow_841>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In