The Country Girl Page #2

Synopsis: Washed up singer/actor Frank Elgin has a chance to make a come-back when director Bernie Dodd offers him the leading role in his new musical. Frank however is very insecure, turns to alcohol and shuns even the smallest of responsibilities, leaving everything up to his wife Georgie who finds it harder and harder to cope with her husband's lack of spirit. Bernie tries to help Frank regain his self-confidence, believing that it is Georgie who's the cause of his insecurity.
Genre: Drama, Music
Director(s): George Seaton
Production: Paramount Pictures
  Won 2 Oscars. Another 5 wins & 11 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
86%
UNRATED
Year:
1954
104 min
1,038 Views


No, we don't let him go

without real cause,

a binge, or if he can't retain lines.

Give him a run-of-the-play contract.

- Wait a minute!

- I need his complete confidence.

No! I'll take a $40,000 loss before I

give him a run-of-the-play contract.

- OK, two weeks. Agreed, Paul? Henry?

- OK with me.

Frank? Frank Elgin?

- Elgin left.

- What do you mean?

- He left.

- Where? Coffee? What?

He just walked out. He didn't say.

Try the nearest bar.

- Mr Elgin in?

- No, he's not.

Mrs Elgin? I'd like to talk

to Frank. I'm Bernie Dodd.

I don't know when Frank will be back.

Mind if I wait?

- Would you like some coffee?

- No, thanks.

- Did Frank say when he'd be back?

- He didn't say where he was going.

- Didn't he say he had an audition?

- No.

I looked around after it was over,

but he'd gone.

- Will he do?

- That all depends.

If you're wondering if you can get

Frank for very little money, you can.

It doesn't depend on that.

Does he still drink?

Just what did you think

I would answer to that?

- Touch.

- What?

- Touch. In French, that means...

- Everybody knows what it means.

You're even younger than I thought.

You try to look like an old lady.

You shouldn't do your hair like that.

Some women pay too much attention to

themselves and some don't pay enough.

That's quite a pearl of wisdom.

May I quote you?

- How long have you been married?

- Ten years.

- Did you meet in a show?

- Look, Mr Dodd...

- Were you ever an actress?

- Not me, thank you.

I'm just a girl from the country.

The theatre and its people have

always been a complete mystery to me.

They still are.

Dreiser, Balzac, Montaigne.

Who reads these books?

I do.

I'm afraid to ask if you enjoy them.

Montaigne's too polite for me.

- That doesn't surprise me.

- Frank's old recordings?

Some new. There's one on the machine

he did last week.

A man with his talent.

It's degrading.

So is not eating.

Why didn't you wait?

I figured the boat had sailed.

The producer didn't like me.

Since when does a producer

have to love an actor?

I can't go to battle unless

everybody is rooting for me.

- Cook thinks you're a drinker.

- Not on a show.

Not according to Maxwell.

You worked for him in '46.

After a couple of months,

he had to replace you.

While I was playing in that show,

our son died.

What about this show? I need an actor

who can stay sober and learn lines.

Are you that actor or not?

Make up your mind.

Give me time. Cook wasn't

the only reason I left the theatre.

I wouldn't take a part like this

without talking it over with Georgie.

- I'll be back in ten minutes.

- He's afraid of the responsibility.

But the gamble's all on my side!

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Clifford Odets

Clifford Odets (July 18, 1906 – August 14, 1963) was an American playwright, screenwriter, and director. Odets was widely seen as a successor to Nobel Prize-winning playwright Eugene O'Neill as O'Neill began to retire from Broadway's commercial pressures and increasing critical backlash in the mid-1930s. From early 1935 on, Odets' socially relevant dramas proved extremely influential, particularly for the remainder of the Great Depression. Odets' works inspired the next several generations of playwrights, including Arthur Miller, Paddy Chayefsky, Neil Simon, David Mamet, and Jon Robin Baitz. After the production of his play Clash by Night in the 1941–1942 season, Odets focused his energies on film projects, remaining in Hollywood for the next seven years. He began to be eclipsed by such playwrights as Miller, Tennessee Williams and, in 1950, William Inge. Except for his adaptation of Konstantin Simonov's play The Russian People in the 1942–1943 season, Odets did not return to Broadway until 1949, with the premiere of The Big Knife, an allegorical play about Hollywood. At the time of his death in 1963, Odets was serving as both script writer and script supervisor on The Richard Boone Show, born of a plan for televised repertory theater. Though many obituaries lamented his work in Hollywood and considered him someone who had not lived up to his promise, director Elia Kazan understood it differently. "The tragedy of our times in the theatre is the tragedy of Clifford Odets," Kazan began, before defending his late friend against the accusations of failure that had appeared in his obituaries. "His plan, he said, was to . . . come back to New York and get [some new] plays on. They’d be, he assured me, the best plays of his life. . . .Cliff wasn't 'shot.' . . . The mind and talent were alive in the man." more…

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Submitted on August 05, 2018

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    "The Country Girl" Scripts.com. STANDS4 LLC, 2024. Web. 19 Apr. 2024. <https://www.scripts.com/script/the_country_girl_19981>.

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