The Belly of an Architect Page #2

Synopsis: An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed with his belly, suffers severe stomach pains, loses his wife, exhibition, his unborn child and finally his own life.
Genre: Drama
Director(s): Peter Greenaway
Production: Hemdale
  2 nominations.
 
IMDB:
7.0
Rotten Tomatoes:
91%
R
Year:
1987
119 min
407 Views


There, Michelangelo's dome of San Pietro.

And over there, you can just see...

Borromini's Church of Sant'Agnese | in Piazza Navona.

Where is the Tomb of Augustus from here?

Difficult to see from here, Signor Kracklite.

But undoubtedly there.

Signor Kracklite, let me introduce to you...

Signor Antonio Caspetti, | banker with the Scuta d'Oro.

Signor Caspetti | is our most important benefactor.

We couldn't manage this exhibition | without him.

And after its undoubted success...

can I hope to consider | a return exhibition in Chicago?

Perhaps on the ltalian architect Piranesi.

Signor Caspetti is a great authority | on Piranesi.

I wonder if Kracklite realizes | that his hero is not that well-known in ltaly.

Boulle is not that well-known anywhere.

In Texas, | Kracklite was accused of inventing him.

Or perhaps Boulle is the ideal architect | for your husband to invent.

However, thanks to him...

we have nearly $1 million | to persuade the ltalian public...

that Boulle is not a fiction.

That's a lot of money.

It's expensive to put on | a large art exhibition in Rome.

I remember, Signor Kracklite, | coming across a drawing by Boulle...

when I was 10 years old.

It reminded me, I must admit, of Hell.

No doubt it was a childish idea...

but it hasn't entirely left me.

I discovered Boulle | about the same age as you, Signor Caspetti.

I must confess his designs | have always reminded me of Heaven.

You hold the purse strings | of my husband's exhibition?

Not entirely, but almost.

You're very young to be entrusted | with so much money.

And you're very young to be entrusted | with such an elderly husband.

Excuse me.

There is a story | that the architect of this building...

spent all the money on the marble. | He didn't like wood.

And he skimped on the carpentry.

The real reason was that | he hated carpenters, especially Joseph.

I suspect that he didn't believe | in the virgin birth.

He could not reconcile himself...

to the fact Joseph was 40 | and the Virgin Mary was 14.

About the same difference | as you and your wife...

isn't it, Mr. Kracklite?

Approximately, yes.

But I thought that all Catholics | believed in the virgin birth.

Not outside of marriage.

Do you believe in the virgin birth, | Mr. Kracklite?

At this moment, Signor Caspetti, | I'll settle for any kind of birth.

I've had several miscarriages.

Kracklite gets bored or impatient...

or disillusioned with his projects...

and I get anxious.

We could both be accused | of unsatisfactory delivery.

Christ!

Did you see that?

Now watch this.

Kracklite is going to be honored | by Roman publicity.

Who is this man?

May I introduce to you | Signor Salvatore Battistino...

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Peter Greenaway

Peter Greenaway, CBE (born 5 April 1942 in Newport, Wales) is a British film director, screenwriter, and artist. His films are noted for the distinct influence of Renaissance and Baroque painting, and Flemish painting in particular. Common traits in his film are the scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death. more…

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