Taking Sides Page #3

Synopsis: A tale based on the life of Wilhelm Furtwangler, the controversial conductor of the Berlin Philharmonic whose tenure coincided with the controversial Nazi era. One of the most spectacular and renowned conductors of the 30s, Furtwangler's reputation rivaled that of Toscanini's. After the war, he was investigated as part of the Allies' de-Nazification programme. In the bombed-out Berlin of the immediate post-war period, the Allies slowly bring law and order--and justice--to bear on an occupied Germany. An American major is given the Furtwangler file, and is told to find everything he can and to prosecute the man ruthlessly. Tough and hard-nosed, Major Steve Arnold sets out to investigate a world of which he knows nothing. Orchestra members vouch for Furtwangler's morality--he did what he could to protect Jewish players from his orchestra. To the Germans, deeply respectful of their musical heritage, Furtwangler was a demigod; to Major Arnold, he is just a lying, weak-willed Nazi.
Genre: Drama, Music, War
Director(s): István Szabó
  9 wins & 2 nominations.
 
IMDB:
7.2
Metacritic:
61
NOT RATED
Year:
2001
108 min
511 Views


PROJECTIONIST:

Yes, sir. Roll it.

Wallace goes. The projectionist starts the next reel.

ON THE SCREEN:
a Berlin sequence. Bombs falling. Ruins, a

city devastated, empty. Flags of the four allied nations.

Posters of Truman, Stalin, Churchill.

ARCHIVE FILM VOICE

That is the hand that dropped the

bombs on defenceless Rotterdam,

Brussels, Belgrade. That is the

hand that destroyed the cities,

villages and homes of Russia. That

is the hand that held the whip

over the Polish, Yugoslav, French

and Norwegian slaves. That is the

hand that took their food.

Steve watches expressionless.

WALLACE:

Next reel, please.

ON THE SCREEN:
SHOTS of camp survivors. Then SHOTS of

emaciated corpses being bulldozed into mass graves.

ARCHIVE FILM:

Sanitary conditions were so

appalling that heavy equipment had

to be brought in to speed the work

of cleaning up. This was Bergen

Belsen.

The moment this appears, Steve rises and goes quickly.

ON THE SCREEN:
piles of cadavers.

INT. MAJOR STEVE ARNOLD'S BEDROOM (I945) - NIGHT

Steve having a nightmare, twisting, turning, moaning. He

wakes with a cry. He is sweating. He turns on the light,

looks at a clock, reaches for a cigarette, lights it. He

smokes. He stares at the ceiling.

Later:

Early morning. Cold. Steve is at the basin in his small

room, shaving. A radio on a shelf.

AMERICAN RADIO VOICE

Remember, men, no fraternisation.

In a German town, if you bow to a

pretty girl or pat a blond child,

you bow to all that Hitler stood

for. You bow to his reign of blood.

You caress the ideology that meant

death and destruction. You never

know who was a member of the Nazi

Party. Don't be fooled. Don't

fraternise.

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Ronald Harwood

Sir Ronald Harwood, CBE, FRSL (born Ronald Horwitz; 9 November 1934) is an author, playwright and screenwriter. He is most noted for his plays for the British stage as well as the screenplays for The Dresser (for which he was nominated for an Oscar) and The Pianist, for which he won the 2003 Academy Award for Best Adapted Screenplay. He was nominated for the Best Adapted Screenplay Oscar for The Diving Bell and the Butterfly (2007). more…

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    "Taking Sides" Scripts.com. STANDS4 LLC, 2024. Web. 17 Apr. 2024. <https://www.scripts.com/script/taking_sides_403>.

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