Sword of the Beast Page #2

Synopsis: Gennosuke, a clan retainer, kills one of the clan ministers as part of a plot to achieve reform. He is pursued by his former comrades, each hoping to complete the vendetta put on Gennosuke by the clan. With the help of a master swordsman, Yamane, Gennosuke has a chance at survival.
Genre: Action, Drama
Director(s): Hideo Gosha
Production: Criterion Collection
 
IMDB:
7.7
NOT RATED
Year:
1965
85 min
30 Views


Silence! Other clans are not my concern.

As long as I'm counselor, I won't stand for it.

Return to your quarters!

We refuse!

Next you'll order us to commit harakiri.

We won't wait around to lose our lives.

We'll take yours instead.

What?

That was our original plan anyway.

Help!

Father!

When I recall that day,

I see Gennosuke as just a beast

to be drawn and quartered.

Butchery is what he deserves.

But he's a samurai. He must die like one.

Daizaburo,

don't forget that when we're married,

you'll inherit a fortune of 3,500 koku.

How can you fail

to share my hatred for our enemy?

I find that most vexing.

Master Katori, any word where Gennosuke went?

"Packhorse" has his men searching,

combing every nook and cranny.

He won't escape that easily.

Hardly anyone ever comes here.

Take a nap if you like.

There's a bounty on my head. Don't you want it?

A measly bounty like that? Who cares?

I'm aiming for a mountain of riches!

A mountain?

Take a look at this.

Gold dust?

I was bathing a horse in the river

when a prospector's body floated by.

He had this pouch on him.

There's been gold in Koshu for a long time,

so it's no surprise he found gold up there.

So you'll prospect on the mountain?

A man can't spend his entire life

scrubbing horses in a dump like this.

But Mount Shirane belongs to the shogunate.

The penalty for poaching there is decapitation.

A man can't do great things if he's afraid.

How about it? Let's team up

and strike it rich together.

Me?

The thing is, the man carrying this pouch

was sliced open from shoulder to waist.

There are clearly some

very dangerous people upriver

after that gold.

So you're hiding me because you need a bodyguard.

If you put it that way -

Just leave it all to me.

Let's sneak away when things quiet down.

If you'll be running for the rest of your life,

you'll need some coin to keep you going.

Running for the rest of my life?

Any luck?

Nah.

Nothing?

But we'll find some soon, right?

There's no gold around here.

Let's go further up.

Quick, hide!

We've got some nasty company.

Those patrols come by once

every three months at most.

We'll be safe once they pass.

Maybe we should keep them in sight.

We don't want to bump into them unexpectedly.

Yeah, you're right.

Okay, let's go.

Whose hut is that?

- That's a logger's rest lodge.

- Is it in use now?

No, logging here ended last year.

- But somebody's there.

- No, that's imposs...

Stumbling already? It's still early.

Wait. Somebody's coming.

What are you doing here?

You're panning for gold, aren't you?

You can be executed for that!

- I know.

- What?

You dare resist?

Officers have been killed. That means trouble.

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Hideo Gosha

Hideo Gosha (五社 英雄, Gosha Hideo, February 26, 1929 – August 30, 1992) was a Japanese film director. Born in Arasaka, Tokyo Prefecture, Gosha graduated from high school and served in the Imperial Navy during the Second World War. After earning a business degree at Meiji University, he joined Nippon television as a reporter in 1953. In 1957 he moved on to the newly founded Fuji Television and rose through the ranks as a producer and director. One of his television shows, the chambara Three Outlaw Samurai, so impressed the heads of the Shochiku film studio that he was offered the chance to adapt it as a feature film in 1964. Following this film's financial success, he directed a string of equally successful chambara productions through the end of the 1960s. His two most critical and popular successes of the period are Goyokin and Hitokiri (also known as Tenchu), both released in 1969 and both considered to be two of the finest examples of the chambara genre. During the 1970s Gosha abandoned pure chambara and turned his productive energies toward films in the yakuza genre but he still produced period sword films such as The Wolves (1971 film) (1972), Bandits vs. Samurai Squadron (1978), and Hunter in the Dark (1979). His films Three Outlaw Samurai and Sword of the Beast (1965) have been released by Criterion.By the early 1980s, Gosha began making period films that featured prostitutes as protagonists that were renowned for their realism, violence, and overt sexuality. They were critically panned for those very reasons, but they were also all box office successes. In 1984 he was awarded the Japan Academy Prize for Director of the Year for The Geisha.Gosha’s films have influenced directors including Chang Cheh, Takashi Miike, and Yoshiaki Kawajiri. more…

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Submitted on August 05, 2018

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