Stories We Tell Page #3

Synopsis: In this inspired, genre-twisting new film, Oscar®-nominated writer/director Sarah Polley discovers that the truth depends on who's telling it. Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the large
Genre: Documentary
Director(s): Sarah Polley
Production: Roadside Attractions
  24 wins & 42 nominations.
 
IMDB:
7.6
Metacritic:
91
Rotten Tomatoes:
94%
PG-13
Year:
2012
108 min
$1,599,038
Website
3,534 Views


gripping the camera

than he did holding her.

I had a feeling

they were incredibly different people.

It was sort of amazing

that they were together in some ways,

'cause they were so different.

As excitable

that she was most of the time,

he was calm, or seemed to be.

He was centered

and inside himself,

and she was

so far outside of herself

that sometimes

there was nothing inside.

Michael was a private person,

and Diane was

not a private person.

She really lacked guile.

She did not have two faces

for the world.

I don't know if she showed

different faces to different people,

but I did sense that

she was a woman of secrets.

But they were artfully hidden.

They were subtly hidden.

And because she had

a larger-than-life personality,

you didn't look for the subtleties,

because there was

the razzle-dazzle in front of you.

One of her great...

strengths, I think, was her vitality,

her constant determination

to live life to its fullest.

I don't have anything like that

in my character whatsoever.

I love to play it as an act,

but I can't live it as a human being.

The idea of me jumping out of bed

in the mornings,

running around and doing things

like Diane used to do?

Diane was usually doing

ten things at the same time.

I'd be doing half of one thing.

Diane was so attracted

to his mind,

but she yearned for more

demonstrative affection from him.

Dad says that Mom

wanted to have sex

a lot more than he did.

When I ask him specific questions,

like about oral sex,

Dad tells me

that that is something

that was thought of

as something they did in France.

I sure have never thought

of my Dad as a prude.

He will talk about anything,

and he is not shocked

by anything,

but it's kind of amazing

to think that

oral sex was something that...

maybe it was, I don't know...

but it's amazing to think that...

that that was something

that was so

off the radar for him.

I used to think a night

with a dead wombat

might turn out to be more exciting

than a night with me after you've

been with me for twelve years.

So... who knows?

I was a good husband, I think,

in a providing way,

in terms of my contribution

to the household-running.

Could you give me a list of the duties

of the average husband,

so I could do a check-off?

She did all the cooking,

all the cleaning,

all the taking care of the kids.

He didn't take

any responsibility for us,

he didn't make decisions about us.

It was always,

"Ask your mother. "

Next thing he knew,

he had kids,

and he thought

that he had to be responsible.

So he gave up acting

and started working

at Manufacturers Life

Insurance Company.

Mom was frustrated by Michael.

Rate this script:0.0 / 0 votes

Sarah Polley

Sarah Ellen Polley OC (born January 8, 1979) is a Canadian actress, writer, director and political activist. Polley first garnered attention for her role as Sara Stanley in the Canadian television series Road to Avonlea. She has starred in many feature films, including Exotica, The Sweet Hereafter, Guinevere, Go, The Weight of Water, My Life Without Me, The Adventures of Baron Munchausen, Dawn of the Dead, Splice, and Mr. Nobody. more…

All Sarah Polley scripts | Sarah Polley Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Stories We Tell" Scripts.com. STANDS4 LLC, 2024. Web. 25 Apr. 2024. <https://www.scripts.com/script/stories_we_tell_18926>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Stories We Tell

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.