Sommarlek Page #2

Year:
1951
93 Views


I'm glad you're interested in the

ballet, but we're too busy today.

- It's cold.

- Are your legs cold, miss?

I mean, with silk stockings.

As you're a dancer, miss...

- How do you know I'm a dancer?

- I've seen you, many times.

Especially your last show.

I'm sitting here

thinking that if I...

if I could say what I wanted

to say, I'd say that...

What would you say?

- You'd laugh, miss.

- You think so?

Tell me now!

I'd say...

I'd say that you're the most

beautiful thing I've seen in my life.

There.

- Where will you stay this summer?

- On Kalvholmen.

- And you, miss?

- We have a house on Blakrakan.

- Oh, that's yours?

- Do you know it?

Yeah... the manor.

Gruffman and I

used to scrump apples there.

This is Gruffman. My sister and I

thought he looked gruff...

Anyway, I live at the manor.

Maybe our paths will cross.

At least when you come

to scrump apples!

- Hello again!

- Hello!

- Is the water cold?

- A bit, but it's warm up here.

- Catching any fish?

- No, they're still sleeping.

- Won't you have a swim, miss?

- Too cold.

It's not too bad once you're in.

Do you think

we could drop the formalities?

- I'm all in favour.

- It makes things easier.

Do you live out here?

Over there.

- Over on Kalvholmen.

- Oh yes, you said.

- Are you hungry?

- Why?

Do you like wild strawberries?

I know of a place.

Would you like to go?

- This is it.

- And no one knows about it?

- Yes, you.

- And no one else?

Help yourself!

- What kind of cuckoo is that?

- I don't know much about birds.

I usually call it

the summer holiday bird.

It would sing outside my window

the first morning of

the summer holidays.

It would wake me up.

- Do you live with your parents?

- No, they're divorced.

I've never seen my mum,

and my dad's with another woman.

He gives me money to stay out of the

way. I'd like to do the same to him.

- Where do you and Gruffman live?

- With an old hag... lady.

She's got a moustache.

I love blind kittens. Don't you?

And babies, and people

who other people think are ugly.

And mice, of course. And poodles.

It's not as bad as that.

It's just that

people don't take me seriously.

Oh dear, oh dear, is it that sad?

No one cares about me,

no one but Gruffman.

- Really, no one?

- No, only Gruffman.

- What about me?

- Do you care about me?

Would I have brought you here

otherwise?

I need to think about that.

I'm never going to die.

I'll get really,

really old, but I'm not going to die.

I'm scared. Scared that I, Henrik...

will tip over the edge into something

black, something unknown.

- Why do you talk about that?

- I don't know.

It's something I'm struck by

now and again.

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Ingmar Bergman

Ernst Ingmar Bergman (Swedish pronunciation: [ˈɪŋmar ˈbærjman] ( listen); 14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. Considered to be among the most accomplished and influential filmmakers of all time, Bergman's renowned works include Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), The Silence (1963), Persona (1966), Cries and Whispers (1972), Scenes from a Marriage (1973), and Fanny and Alexander (1982). Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity. Philip French referred to Bergman as "one of the greatest artists of the 20th century [...] he found in literature and the performing arts a way of both recreating and questioning the human condition." Mick LaSalle argued, "Like Virginia Woolf and James Joyce in literature, Ingmar Bergman strove to capture and illuminate the mystery, ecstasy and fullness of life, by concentrating on individual consciousness and essential moments." more…

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Submitted on August 05, 2018

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