So Evil My Love Page #2

Synopsis: Olivia Harwood, missionary's widow, meets charming Mark Bellis, artist and rogue, on the ship taking them both back to 1890s London. When Olivia opens a lodging house Mark becomes her ...
Genre: Crime, Drama
Director(s): Lewis Allen
Production: Paramount Pictures
 
IMDB:
6.9
Year:
1948
112 min
140 Views


What are you doing?

I'm moving.

Moving?

Yes, i've taken a room.

What are you talking about?

I'm a little weary of your attic, my dear,

And I'm also weary of our

friends in Bows Street.

Well, it'll be the same wherever you go.

Not in the house of the most

reputable widow in London.

A widow!

Yes, and a missionary to boot.

You're sure it's not Queen Victoria.

It's just as safe, and just as respectable.

What do you care about respectability?

Nothing whatever.

I do care about my skin, though.

Mark, I do hate you're going.

Oh, it won't be for long.

But, I've only just got you back.

Oh, stop sniveling.

Do you have any money?

What do you think?

You're a bad liar. How much?

Two quid. But I need it...

Give it me.

But what am I supposed to live

On sweet lavender?

Here. Give me half.

At least half.

You don't need it. You can make more.

I can't.

It's not as easy modeling as it used to be.

They say the June's gone out of my Juno.

Then get a little fat in you

And they'll view you for Venus.

Don't go, darling.

Don't go tonight. Please.

An idiot would know you were there.

My dear Mark.

Your teeth are too white.

If you wish to hide. Don't open your mouth.

I hardly expected to see you here.

Why not?

I'm on excellent terms with the police.

The police seem curiously ill informed.

Tell me. How did you go through the cellar

Next door and are leaving the same way?

They are not very bright.

Nor are they very stupid.

Your homecoming appears to have caused

them considerable embarrassment.

And you, my dear friend.

How does it affect you?

You've been some time

in paying your respects.

Well. I've.. I've only just learned

that you were back.

Yes. Yes, and then...

My unbounded delight was tempered

only by my desire for your safety.

How ardent. How very ardent.

You must remember that it was I, not you

That was forced to run for Jamaica.

Yet it was you...

Let us say it was both of us.

Undoubtedly that would be

the opinion of the court.

And not to put too fine a point upon it

We should both hang.

That is a prospect I am prepared

to go to some pains to avoid.

Yes, but not at my expense.

Let us have this perfectly clear, Edgar.

Whatever happens to me happens to you.

Two pints of brown ale. Right sir.

Always rooftops and always late.

Such a bore.

You need the exercise you're much too fat.

You seem to be bursting with news.

What are your plans?

Have at papillion.

The american Market in old masters

is positively at its peak.

With your talent we can

fake a nice little line in

Rembrandts, rubens

And live in comfort

for the rest of our lives.

No.

I'm the best painter in England.

Rate this script:5.0 / 2 votes

Ronald Millar

Sir Ronald Graeme Millar (12 November 1919 – 16 April 1998) was an English actor, scriptwriter, and dramatist.After Charterhouse and studying at King's College, Cambridge, for a year, Millar joined the Royal Navy in 1940, during the Second World War. He established himself as a playwright after the war and, between 1948 and 1954, lived in Hollywood, where he wrote scripts for MGM. On his return to Britain, he successfully adapted several C. P. Snow novels – and, in 1967, William Clark's novel Number 10 – for the stage. He also wrote the book and lyrics for the musical Robert and Elizabeth. He acted as speechwriter for three British prime ministers, including Margaret Thatcher, for whom he wrote the famous line "The lady's not for turning."Millar was the son of a professional actress, Dorothy Dacre-Hill. Prior to becoming a full-time dramatist and then a speechwriter, Millar acted in a number of West End productions during and after World War II, in the company of luminaries as Ivor Novello, Alastair Sim and John Gielgud. He also appeared in the 1943 war film We Dive at Dawn directed by Anthony Asquith. One of his most well-received productions was Abelard and Heloise featuring Keith Michell and Diana Rigg. more…

All Ronald Millar scripts | Ronald Millar Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "So Evil My Love" Scripts.com. STANDS4 LLC, 2024. Web. 16 Apr. 2024. <https://www.scripts.com/script/so_evil_my_love_18404>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    So Evil My Love

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.