Smith! Page #2

Synopsis: When the Indian Jimmyboy is accused of murder of a white man, he flees onto the ranch of Smith, who's well known for his tolerance for Indians, since he was raised by the old Indian Antoine. Smith helps Jimmyboy against the mean Sheriff and promises to speak for him in court, thus persuading him to surrender himself to the police.
Genre: Drama, Family, Western
Director(s): Michael O'Herlihy
Production: Walt Disney Productions
 
IMDB:
6.3
G
Year:
1969
112 min
73 Views


or else they get pushed around.

But why does it

always have to be you?

Why do they always come here

when their sky falls down?

Where else would they go?

All right, I'll go up to the cabin

and I'll get rid of Gabriel Jimmyboy.

You just keep my coffee hot.

All right?

- Oh, Smith?

- Yeah?

- Here.

- What's that for?

- But he's a murderer.

- Well, I'm not.

- Tots alla.

- Tots alla, yourself.

- Oh, hi, Smith.

- Hi, Vince.

Smith, have you seen an Indian named,

uh, Gabriel Jimmyboy on your place?

- Jimmy who?

- Boy. Jimmyboy.

No. What's he look like?

Looks like a blasted Indian. What else?

What's the matter with those dogs?

Can't they track Indians?

Eh... they've been trackin' all day.

They went and lost the trail

down there by Bear Creek.

Well, why don't you all go one back

to jail and kinda sleep it off, huh?

Look, Smith, somebody told the sheriff

they seen an Indian on your place.

I'm gonna ask you official: Have you

seen an Indian named Gabriel Jimmyboy?

[Smith] No... No.

Well, I think I'll just get down to

the old shack of yours and look myself.

[Smith] Hey, Vince. You got a warrant?

- This Indian murdered a man.

- Are you sure?

Well, now what do you want,

a personal affidavit?

He's an Indian, ain't he?

And he was drunk, wasn't he?

Money's gone and Sam Hardy's dead.

What else do you need?

I don't think the sheriff would

want you poking around that shack

without a search warrant.

- I don't need no warrant for no Indian!

- But you need your job.

Now don't do anything bull-headed.

You might lose it.

Hello, this place. It's me, Smith.

[gun cocking]

What's your friend holdin' a gun for?

I mean, it's only Smith.

He's scared, this place only one door.

Well, uh...yeah.

Uh... suppose we sit down here

and have a smoke, huh?

Never mind smoke. Tell him.

- Smith...

- What?

Me and Gabriel, we talk.

I tell him maybe you help,

so they don't kill him on that rope.

What kind of help, Antoine?

The sheriff, they look for Gabriel.

With them dogs.

They better not come this place.

I shoot.

Gabriel, he wants to go away.

He go with you, Smith.

Hide him in that truck.

You take him to Canada.

- What?

- It's the best way, Smith.

Oh, now wait a minute.

No, that isn't the best way.

You gotta have him turn himself in

and stand trial. That's the best way.

[speaking in Native American dialect]

No, no. You can't just run up to Canada

and hide, because they'll find ya.

- And they'll bring ya back to trial.

- [speaking in Native American dialect]

- Why do you say that?

- They kill me in that rope.

Maybe Smith right.

You go to court, Gabriel.

- No.

- You go, Gabriel. I speak for you.

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Louis Pelletier

Louis Pelletier (March 7, 1906 – February 11, 2000) was an American author of radio dramas and screenplays for motion pictures and television. Pelletier was born in New York City, New York. He co-wrote the 1937 Broadway play Howdy Stranger that Warner Bros. made into a 1938 film, Cowboy from Brooklyn. His career was interrupted by service with the United States Army during World War II. In late 1944 he became one of several writers who wrote radio plays called The FBI in Peace and War based on the 1943 book of the same title by Frederick Lewis Collins; the highly successful series ran until 1958. In the late 1950s and early 1960s, Collins became one of the first screenwriters for television drama, penning scripts for Kraft Television Theater, General Electric Theater and The Untouchables. In 1962, Louis Pelletier was hired by Walt Disney Pictures to adapt books to the screen that Disney had under option. Over the next decade he wrote six screenplays including Big Red, which was adapted from the Jim Kjelgaard novel, and Follow Me, Boys!, which was adapted from the MacKinlay Kantor novel. He wrote his last film script for Disney in 1972. He taught Screenplay writing at USC. Louis Pelletier died at the age of 93 in Santa Monica, California. more…

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Submitted on August 05, 2018

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