Silk Page #3

Synopsis: A married silkworm smuggler, Herve Joncour, in 19th Century France who travels to Japan to collect his clandestine cargo. While there he spots a beautiful Japanese woman, the concubine of a local baron, with whom he becomes obsessed. Without speaking the same language, they communicate through letters until war intervenes. Their unrequited love persists however, and Herve's wife Helene begins to suspect.
Genre: Drama, Romance
Director(s): François Girard
Production: Picturehouse
  7 wins & 5 nominations.
 
IMDB:
5.9
Metacritic:
39
Rotten Tomatoes:
7%
R
Year:
2007
107 min
$1,100,000
Website
359 Views


and never come back.

Like Ludovic's father.

I never understood

what happened to him.

Did he just disappear?

Well, first,

he stopped talking.

Then one day, he woke up,

packed a suitcase, and left.

Beatrice was about to have Ludovic.

That was quite a blow.

But why did he stop talking

in the first place?

That's one of the many things

he never talked about.

Hm.

No, no, Papa.

Mmm!

Do you think about it?

Sometimes.

What do you see?

Strange trees...

chickens pecking in the dirt,

laughing children.

What about this man?

You hardly mention him.

He was closed...

secretive.

It's hard to remember

all of it. It...

it's fading away.

Papa!

Papa!

I've ask Madame Berbek

to help with the chores.

The house is too much for me.

That's a good idea.

Ludovic is growing.

They must need the money.

I knew you'd understand.

May I see?

No, it's not finished.

I want to look at it.

No.

It was a happy time that summer.

Life was simple again.

Opened his beak...

and he felt sick.

The cheese fell

out of his beak,

and the fox caught the cheese,

and ran off with it.

So this is the path,

and the fountain is there.

Mm-hmm.

And the lilies?

You're standing on them.

Oh. Sorry.

You're standing on them again.

So the lilies are everywhere.

The lilies

are everywhere.

But I knew...

I knew that it couldn't

last forever.

Ludovic?

I suppose

we won't be eating

your aubergines this summer.

It's a flower garden,

not a potager.

Hello, Ludovic.

I've received some news

from Japan.

It may not be so easy to get in

and out the next time.

When was it easy?

I have

Hara Jubei's protection.

I will be fine.

What if you don't

make it to him?

Herv...

Listen...

you have a decision to make.

You make it.

I'll always love you.

I'll always love you.

Au revoir!

Oh.

And once again,

I made it to the village.

Only this time,

it was different.

This time, I was

not treated as a stranger.

This time, I belonged.

Arigato.

I had to find her.

So while I waited for the eggs

to be prepared,

I searched the village.

I wanted you to see this place.

Join me.

Perhaps another time.

You see these birds?

Only here

can you see them.

My father used to come here

every day to watch them...

and his father...

and the father

of his father.

And now...

you've seen them, too.

Come.

And what does it say?

Door was open.

Herv Joncour.

Schuyler. I am Dutch.

You are, uh, French,

I suppose.

What is your trade?

There is no point

in being secretive.

You're either here to buy

or sell something.

Which is it?

I'm here to buy silk eggs.

And you?

Selling.

What?

Guns.

Guns?

Mm-hmm.

Mmm!

You must be paying

pretty well.

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François Girard

François Girard (born January 12, 1963) is a French-Canadian director and screenwriter. Born in Quebec, Girard's career began on the Montreal art video circuit. In 1990, he produced his first feature film, Cargo; he attained international recognition following his 1993 Thirty Two Short Films About Glenn Gould, a series of vignettes about the life of piano prodigy Glenn Gould. In 1998, he wrote and directed The Red Violin, which follows the ownership of a red violin over several centuries. The Red Violin won an Academy Award for Best Original Score, thirteen Genie Awards and nine Jutra Awards. He has also directed various works for the stage, including Stravinsky's Symphony of Psalms, Oedipus Rex and Novencento at the Edinburgh International Festival; Kafka's The Trial, adapted for the stage by Serge Lamothe at the National Arts Centre, Ottawa; the oratorio Lost Objects at the Brooklyn Academy of Music; Siegfried in Toronto; and The Lindbergh Flight and The Seven Deadly Sins, first in Lyon and then in Edinburgh. Girard has also produced a residency show for Cirque du Soleil, Zed, in Tokyo and Zarkana, which opened at Radio City Music Hall in New York in the summer of 2011.In 2013 the Metropolitan Opera in New York opened a new production of Richard Wagner's Parsifal directed by Girard. The production received near universal acclaim from critics and audiences alike.His television credits include Le dortoir, Peter Gabriel's Secret World and The Sound of the Carceri, one of the six episodes of Yo Yo Ma Inspired by Bach. more…

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Submitted on August 05, 2018

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