Show Boat Page #2

Synopsis: The "Cotton Blossom", owned by the Hawk family, is the show boat where everyone comes for great musical entertainment down south. Julie LaVerne and her husband are the stars of the show. After a snitch on board calls the local police that Julie (who's half- African-American) is married to a white man, they are forced to leave the show boat. The reason being, that down south interracial marriages are forbidden. Magnolia Hawk, Captain Andy Hawks' daughter, becomes the new show boat attraction and her leading man is Gaylord Ravenal, a gambler. The two instantly fall in love, and marry, without Parthy Hawks approval. Magnolia and Gaylord leave the "Cotton Blossom" for a whirl-wind honeymoon and to live in a Pl: fantasy world. Magnolia soon faces reality quickly, that gambling means more to Gaylord than anything else. Magnolia confronts Gaylord and after he gambles away their fortune he leaves her - not knowing she is pregnant. Magnolia is left penniless and pregnant, and is left to fend fo
Genre: Drama, Family, Musical
Director(s): George Sidney
Production: MGM Home Entertainment
  Nominated for 2 Oscars. Another 1 win & 2 nominations.
 
IMDB:
7.0
Rotten Tomatoes:
89%
APPROVED
Year:
1951
108 min
1,154 Views


I'd say that's a desire

that your heart is set on.

At least you're right there.

- Why do you want to be an actress?

- Why?

Well...

Well, the ordinary person

wouldn't understand.

I mean... That is, a person

outside the profession.

No? Well...

You want to be an actress

because it makes everything come true.

Every exciting thing

you've ever dreamed about.

Even if it's make-believe.

Isn't that it?

Yes, that is it. How did you know?

For instance, right now,

we could be Romeo and Juliet...

...or Elizabeth and Essex, or...

Or Lady Southwaite

and Hamilton Barsdale.

Or Lady Southwaite... Who?

Oh, they're in the

Tempest and Sunshine.

Oh, yes, of course.

As a matter of fact, we couldn't be

anybody talking like this.

We haven't been properly introduced.

Well, that makes no difference

in make-believe.

Well, I suppose that's true.

So we could make-believe that

we've just fallen in love at first sight.

Only make-believe I love you

Only make-believe that you love me

Others find peace of mind

In pretending

Couldn't you, couldn't I, couldn't we?

Make-believe our lips

Are blending

In a phantom kiss

Or two or three

Might as well make-believe

I love you

For to tell the truth

I do

The game of just supposing

Is the sweetest game I know

Our dreams are more romantic

Than the world we see

And if the things we dream about

Don't happen to be so

That's just an unimportant technicality

Though the cold and brutal fact is

You and I have never met

We need not mind conventions

P's and Q's

If we put our thoughts in practice

We can banish all regrets

Imagining most anything

We choose

We could make-believe

I love you

Only make-believe

That you love me

Others find peace of mind

In pretending

Couldn't you?

Couldn't I?

Couldn't we?

Make-believe our lips

Are blending

In a phantom kiss

Or two or three

- Might as well make-believe

- Might as well make-believe

- I love you

- I love you

- For to tell the truth

- For to tell the truth

- I do

- I do

All right, everybody,

hang up your costumes.

There's my father and mother.

Just the parties I wish to see.

To our next meeting.

And soon.

Captain and Mrs. Hawks, allow me.

Ravenal. Gaylord Ravenal

of the Tennessee Ravenals.

You're heading

for New Orleans?

- That's right, sir.

- We don't carry passengers, young man.

Naturally. But I'm an actor.

And I thought possibly there might be...

...an opening in your company

for my services.

I don't have my notices here...

Sorry, Mr. Ravenal, we're full up.

Troupe's been with me

all season, just doing fine.

I'm sorry, because I guess you cut

quite a figure before the footlights.

It doesn't seem to be my day.

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John Lee Mahin

John Lee Mahin (August 23, 1902, Evanston, Illinois – April 18, 1984, Los Angeles) was an American screenwriter and producer of films who was active in Hollywood from the 1930s to the 1960s. He was known as the favorite writer of Clark Gable and Victor Fleming. In the words of one profile, he had "a flair for rousing adventure material, and at the same time he wrote some of the raciest and most sophisticated sexual comedies of that period." more…

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Submitted on August 05, 2018

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