Shockproof Page #2

Synopsis: Jenny Marsh, still dangerously attractive after 5 years in prison for killing a man in defense of her shady lover Harry, clashes at first with parole officer Griff Marat, who's determined to make Jenny go straight. For lack of other prospects Griff finds Jenny a job in his own home, and his objectivity about her wavers, while Jenny continues to meet Harry secretly. However, when Jenny transfers her affections from Harry to Griff, the situation becomes even more dangerous...
Director(s): Douglas Sirk
Production: Columbia Pictures
 
IMDB:
6.6
Rotten Tomatoes:
89%
APPROVED
Year:
1949
79 min
90 Views


- That's putting it mildly.

- Who?

- Griff Marat.

He was my parole officer for two years.

Tough boy, but smart.

Say he's going to run

for the state legislature.

- What?

- Yeah.

They're talking about running him

for assemblyman in the 84th District.

They can run him for president

as far as I'm concerned.

Look, what are the possibilities

of a transfer for Jenny?

Tough.

Nothing is too difficult for you, Monte,

unless the price isn't right.

Well, sit down.

If the Parole Board in San Francisco

lands her a job and a room,

Los Angeles gives her the green light.

- Sounds simple.

- It isn't.

First, I've got to plant a family up there.

They ask for her to be transferred.

5,000 for the whole show.

Okay. When?

As of now,

you have cousins in San Francisco.

First cousins called Harris.

- Yeah?

- Will you come in for a minute, Griff?

Be right in.

Griff, how's Jenny Marsh coming along?

- Jenny Marsh? Okay.

- What's she doing?

She's going after a job on her own,

bookkeeping job.

Phoned me about it a few hours ago.

That girl's going places.

She sure is. Right back to prison. Today.

What do you mean? What happened?

She was picked up in a bookie raid.

A bookkeeping job.

Joe Wilson was picked up, too.

- Joe Wilson?

- Another one of your pupils.

- Where are they now?

- Next door.

- Mr. Marat, don't let them send me back.

- You're out of luck, Joe.

It'll mean 20 years. I can't take it.

Give me another chance, please.

I promise this time...

You got parole twice,

and this is your third violation.

And I'm through covering up for you.

Take him to headquarters.

Twenty years. Twenty years. I ain't going!

Joe Wilson's stuff.

They've taken him to the hospital,

but he won't live.

All right.

- What did the girl have to say?

- I don't know. I haven't talked to her yet.

She's still in there. Sprained her ankle.

Excuse me.

What have you got to say for yourself?

Look, I feel it's all my fault.

That's why I came along.

You're a fool, Wesson.

You know those places are raided

for parole violators.

Why did you take her there?

Did you get hurt?

- I sprained my ankle.

- Officer.

- Yes, sir.

- Take her down to Dr. Daniels.

- You wait here.

- Dr. Daniels?

You heard me.

This way, miss.

Hello. Give me Dr. Daniels, please.

Hello, Doc? This is Griff Marat.

I'm sending a girl named Jenny Marsh

down to your office.

Yeah, she's got a sprained ankle.

See what you can find out, will you?

How old is she, Griff?

Well, what does she look like?

Blonde?

Delicate features.

Brown eyes.

I see.

Well, she just saw a man

jump off the balcony.

She's pretty shaky and upset.

Ought to be easy to work on.

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Helen Deutsch

Helen Deutsch (21 March 1906 – 15 March 1992) was an American screenwriter, journalist and songwriter. Deutsch was born in New York City and graduated from Barnard College. She began her career by managing the Provincetown Players. She then wrote theatre reviews for the New York Herald-Tribune and the New York Times as well as working in the press department of the Theatre Guild. Her first screenplay was for The Seventh Cross (1944). She adapted Enid Bagnold's novel, National Velvet into a screenplay which became a famous film (1944) starring Elizabeth Taylor. After writing a few films (Golden Earrings (1947), The Loves of Carmen (1948) and Shockproof (1949) ) for Paramount and Columbia Pictures, she spent the greater part of her career working for Metro-Goldwyn-Mayer and wrote the screenplays for such films as King Solomon's Mines (1950), Kim (1950), It's a Big Country (1951), Plymouth Adventure (1952), Lili (1953), Flame and the Flesh (1954), The Glass Slipper (1955), I'll Cry Tomorrow (1955), Forever, Darling (1956) and The Unsinkable Molly Brown (1964). Her last screenplay was for 20th Century Fox's Valley of the Dolls (1967). more…

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Submitted on August 05, 2018

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    "Shockproof" Scripts.com. STANDS4 LLC, 2024. Web. 25 Apr. 2024. <https://www.scripts.com/script/shockproof_18020>.

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