Secrets & Lies Page #2

Synopsis: Cynthia lives in London with her sullen street-sweeper daughter. Her brother has been successful with his photographer's business and now lives nearby in a more upmarket house. But Cynthia hasn't even been invited round there after a year. So, all round, she feels rather lonely and isolated. Meanwhile, in another part of town, Hortense, adopted at birth but now grown up, starts to try and trace her mother.
Genre: Drama
Director(s): Mike Leigh
Production: Twentieth Century Fox Home Entertainment
  Nominated for 5 Oscars. Another 33 wins & 41 nominations.
 
IMDB:
8.0
Metacritic:
91
Rotten Tomatoes:
95%
R
Year:
1996
136 min
3,217 Views


You two ladies look gorgeous.

That's splendid.

Put your hands together.

There you are. Really nice.

Okay. Here we go.

Right down there.

Right. And here we go.

Okay and...

- Do we say, "Cheese," Maurice?

- Well, you can if you like.

But you can.

You can say, "Cheese".

You can say whatever you like,

but just give me a little bit... Perfect!

- Aaah!

- Ah, yeah. Very sweet.

Okay. That's lovely.

- So it took you 15 years, eh?

- Yes.

- Did they give you a prize?

- No.

Not even a stethoscope? Lovely.

Ooh. The baby.

- Yeah. That's really lovely.

- I'm so glad he's got his eyes open.

Yeah. That's it. Yeah. That's it.

And give him a look down. Lovely!

Are you gonna

see that flea collar?

- You gonna see that?

- Don't worry about that.

You come out then. Come out.

- Hang on. That's it.

- You just come out the way.

Uh, pop out now.

Come out. And here we go.

I think I got the comb in there

that time.

- Lovely. Very good.

- Ohhh.

- Does he look good?

- He does look good.

- Oh, good. Yeah, yeah.

- So do you. Thank you very much, Jane.

That's lovely.

- It's for my auntie.

- Oh, what, fond of you, is she?

- No. She's in India.

- Oh, right.

- Time I got married, isn't it?

- Oh, I see.

"Pick a bride" time,

is it?

I told you,

I don't want flashy.

And... lovely!

I never thought

I'd have any.

Fertility treatment.

It's a miracle.

Don't do that with your nose.

Now stop it. Put it there.

Hello. Look at that lovely cat.

Look over there.

- Look. It's lovely!

- Look at that cat.

- Oh, I see. Then scratch it first.

- No!

Go on. That's it.

That's it. Lovely!

I feel so silly.

Aha! Lovely! That's it!

Ah! Thank you very much.

- What do you think you're doing?

- Sorry.

Didn't you hear me?

- Well, hi.

- What? Mind, out of the way.

- Want a drink?

- What?

If I want a drink,

I'll get it myself, thank you.

Since when was Hoovering

a spectator sport?

Hello.

- Can I have a glass too, please?

- Sorry. I thought you didn't want one.

I've changed my mind.

I'm having milk. Not in a wine glass.

Give me a highball.

You don't put milk in a wine glass.

- There you go.

- Thank you.

- That'll do you good.

- Meaning?

Nothing.

Had a good day?

Scintillating.

Suppose you'll be

starving as usual.

I'm a little bit peckish, yeah.

I just wanted to say that.

- Do you want me to do something?

- Like what?

- Anything you like.

- No, I bloody well wouldn't.

- Fair enough.

- Well, all right then.

There's the fridge.

There's the freezer.

There's the hop.

There's the recipe books.

Help yourself.

And don't make a mess.

Unless you fancy a take-away.

- You're not gonna smile, are you?

- No.

Okay. It's a free world.

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Mike Leigh

Mike Leigh (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas Life is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama Secrets & Lies (1996), the Golden Lion winning working-class drama Vera Drake (2004), and the Palme d'Or nominated biopic Mr. Turner (2014). Some of his notable stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present "emotional, subjective, intuitive, instinctive, vulnerable films." His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu. His films and stage plays, according to critic Michael Coveney, "comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." Coveney further noted Leigh's role in helping to create stars – Liz Smith in Hard Labour, Alison Steadman in Abigail's Party, Brenda Blethyn in Grown-Ups, Antony Sher in Goose-Pimples, Gary Oldman and Tim Roth in Meantime, Jane Horrocks in Life is Sweet, David Thewlis in Naked—and remarked that the list of actors who have worked with him over the years—including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters – "comprises an impressive, almost representative, nucleus of outstanding British acting talent." Ian Buruma, writing in The New York Review of Books in January 1994, noted: "It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo." more…

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Submitted on August 05, 2018

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