Scarecrows Page #2

Synopsis: Five people heist the Camp Pendleton payroll, kidnap a pilot and his daughter, who are forced to fly them to Mexico. Enroute a double cross has one of the thieves parachute with the loot into an abandoned graveyard surrounded by strange scarecrows. Two of the team jump after their loot and their former partner. Everything happens during the course of one very dark night.
Genre: Horror, Thriller
Director(s): William Wesley
Production: Effigy Films
  1 nomination.
 
IMDB:
5.6
Rotten Tomatoes:
50%
R
Year:
1988
83 min
Website
111 Views


No, take him alive. The first bullet

through his head is mine.

We're landing this sucker right now.

There's a field at 4 o'clock.

It may be long enough.

So, how's it feel, Bert?

I mean, it must be awful frustrating

to have to die

with all that money in your hands.

Yeah, real frustrating.

That money must be getting

awful heavy.

$3.5 million is a lot of bread

for one guy.

It ain't right to be so greedy.

All right, a**hole,

just hold it right there.

- You see him?

Shut up.

Oh, yeah, yeah. There he is.

Hey, Bert, we're gonna hang you up

like one of these scarecrows

and stuff you full of crow sh*t.

Hey, Corbin,

start bagging some crow turds.

He didn't hear you, man.

He's into his jungles and Rambo bullshit.

With his radio turned off, right?

Whoa, there he is again.

I got him on my scope. Don't move.

Stand still, Bert.

Just one second, it'll all be over.

Turn around, Bert.

I wanna shoot you in the back.

Over here.

Where is he?

He's coming toward us.

Keep coming, Bert.

You're heading right for me.

I don't even have to move.

Over here, Bert, towards your left.

- Pretty lousy shooting.

- Bert's aim always sucked.

Everything he did sucked.

Now we're both right behind you,

a**hole.

We got you covered, Bert,

from behind these scarecrows.

Put the gun down.

You're not going to hurt us.

Curry?

Jack?

Curry? Jack?

Look, you want the money? Take it.

Curry!

Jack! Take the money.

Please, don't kill me.

Who's he talking to, Curry?

Curry? Jack?

Look, take it.

- We don't want your money.

- We want your blood, Bert.

Do you want me to run?

Well, I'm not going to, see?

Running's over, Bert.

It's time to bleed.

Like those MPs with their guts

spilling on the runway.

Time to bleed, Bert.

Look, I'm not even carrying a weapon.

Start praying, Bert.

Look, you want the money?

Well, you can't have it 'cause I've hid it.

So, let's make a deal.

Bert, why don't you say something,

motherf***er?

Come on, scumbag, talk.

Words of wisdom from a dying man.

...your seatbelt, move. Come on.

Christ, leave her out of this.

- Daddy, stop them...

- Shut up.

Get the ladder down now.

- Look, I'm asking you...

- Don't be a hero, Daddy.

Get the ladder, now!

Look,

keep your ass on that seat.

No radios,

nothing's going to happen to her.

Come on, let's go.

Hey, Curry.

- What?

How am I gonna live in Mexico

if I don't speak Spanish?

I told you a hundred times, Paco,

I'm gonna teach you.

You're a real pal, amigo.

Lovely.

Hey, the lights are on now.

What the hell is that?

Guess we're expected.

This is some creepy sh*t, man.

Hold it.

Looks like we missed the party.

Bert.

Yeah. Check out the inside, will you?

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Richard Jefferies

John Richard Jefferies (6 November 1848 – 14 August 1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small Wiltshire farm had a great influence on him and provides the background to all his major works of fiction. Jefferies's corpus of writings includes a diversity of genres and topics, including Bevis (1882), a classic children's book, and After London (1885), an early work of science fiction. For much of his adult life, he suffered from tuberculosis, and his struggles with the illness and with poverty also play a role in his writing. Jefferies valued and cultivated an intensity of feeling in his experience of the world around him, a cultivation that he describes in detail in The Story of My Heart (1883). This work, an introspective depiction of his thoughts and feelings on the world, gained him the reputation of a nature mystic at the time. But it is his success in conveying his awareness of nature and people within it, both in his fiction and in essay collections such as The Amateur Poacher (1879) and Round About a Great Estate (1880), that has drawn most admirers. Walter Besant wrote of his reaction on first reading Jefferies: "Why, we must have been blind all our lives; here were the most wonderful things possible going on under our very noses, but we saw them not." more…

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Submitted on August 05, 2018

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    "Scarecrows" Scripts.com. STANDS4 LLC, 2024. Web. 28 Mar. 2024. <https://www.scripts.com/script/scarecrows_17556>.

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