Scaramouche Page #3

Synopsis: Andre-Louis Moreau is a nobleman's bastard in the days of the French revolution. Noel, the Marquis de Mayne, a nobleman in love with the Queen, is ordered to seek the hand of a young ingenue, Aline, in marriage. Andre also meets Aline, and forms an interest in her. But when the marquis kills his best friend Andre declares himself the Marquis's enemy and vows to avenge his friend. He hides out, a wanted man, as an actor in a commedia troupe, and spends his days learning how to handle a sword. When de Maynes becomes a spadassinicide, challenging opposing National Assembly members to duels they have no hope of winning, Andre becomes a politician to protect the third estate (and hopefully ventilate de Maynes).
Director(s): George Sidney
Production: Warner Home Video
  2 nominations.
 
IMDB:
7.6
APPROVED
Year:
1952
115 min
410 Views


He's coming in. Here.

Good morning.

- Thank heaven you're here.

- Delighted to see you, sir.

- What's happened here, a hurricane?

- No. The King's men.

- They came for Philippe.

- Philippe?

What for? Did they take him?

No, he's safe. But they're still outside

watching the house.

See? Hiding there in the doorway.

They looked everywhere.

Breaking, smashing things.

- lt was dreadful.

- Where is he?

Andre, you're dressed very oddly.

Are you in trouble, too?

Well, not yet, darling, but it threatens.

l've a young lady downstairs in the coach

with an itch to be married.

She's made two attempts since breakfast,

and her temper is rising.

l've heard of the bridegroom

running for cover...

- but never the best man. What happened?

- They found out l wrote this.

"Liberty, Equality, Fraternity,

by Marcus Brutus."

l'm Marcus Brutus.

There are copies all over Paris.

We even smuggled some

into the royal bedchamber.

- We?

- Thousands of us, Father.

United against the aristocratic tyrants.

l take it aristocratic tyrants

includes your own father and mother?

- Father, please.

- l may be a poor man...

but by birth l am an aristocrat.

- And so are you.

- Please.

- That pamphlet is high treason.

- Father, you don't understand.

Well, what do you think of it?

The grammar is appalling.

On the first page...

you doubled a negative, split an infinitive,

and left out three commas.

lnfinitives, negatives, commas.

He prattles punctuation

and France is in agony.

ln agony? l wasn't aware of it.

You never take anything seriously.

Nothing matters to you.

Why do you fight with your best friend

when your own life is in danger?

- What's to be done, Andre?

- Marcus Brutus must go into hiding.

We've got to get him

out of the city at once.

How?

l haven't the slightest idea.

Unless...

Get into this.

Listen carefully.

Outside there's a horse and coach.

Go boldly out,

mount the box and drive off.

No one will question you,

except the lady inside.

She may become violent. Drive her to

the Forest of Beauvry. You have money?

- Five crowns.

- Scarcely enough to start a revolution.

l'll get the money. Meet me at

the signpost in the forest at 9:00 tonight.

ls that clear? Off with you.

Goodbye, Mother.

- l'm sorry, Father.

- Take my sword.

Try not to dishonor it.

Thank you, Father.

Good luck.

lt's all right.

He's very young. Look after him.

As you've always looked after me.

l swear it.

God bless you, Andre.

And now for the stuff

that makes fools of princes...

and princes of fools. Money.

Andre, you be careful what you do.

Precisely my intention.

l go now to consult my attorney...

the eminent lawyer Fabian.

ls this the bald pate of the lawyer Fabian?

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Ronald Millar

Sir Ronald Graeme Millar (12 November 1919 – 16 April 1998) was an English actor, scriptwriter, and dramatist.After Charterhouse and studying at King's College, Cambridge, for a year, Millar joined the Royal Navy in 1940, during the Second World War. He established himself as a playwright after the war and, between 1948 and 1954, lived in Hollywood, where he wrote scripts for MGM. On his return to Britain, he successfully adapted several C. P. Snow novels – and, in 1967, William Clark's novel Number 10 – for the stage. He also wrote the book and lyrics for the musical Robert and Elizabeth. He acted as speechwriter for three British prime ministers, including Margaret Thatcher, for whom he wrote the famous line "The lady's not for turning."Millar was the son of a professional actress, Dorothy Dacre-Hill. Prior to becoming a full-time dramatist and then a speechwriter, Millar acted in a number of West End productions during and after World War II, in the company of luminaries as Ivor Novello, Alastair Sim and John Gielgud. He also appeared in the 1943 war film We Dive at Dawn directed by Anthony Asquith. One of his most well-received productions was Abelard and Heloise featuring Keith Michell and Diana Rigg. more…

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Submitted on August 05, 2018

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    "Scaramouche" Scripts.com. STANDS4 LLC, 2024. Web. 23 Apr. 2024. <https://www.scripts.com/script/scaramouche_17553>.

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