Saraband Page #3

Synopsis: Marianne and Johan meet again after thirty years without contact, when Marianne suddenly feels a need to see her ex-husband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so, one beautiful autumn day, there she is, beside his reclining chair, waking him with a light kiss. Staying at a cottage on the property are Johan's son Henrik and Henrik's daughter Karin. Henrik is giving his daughter cello lessons and already sees her future as staked out. Relations between father and son are very strained, but both are protective of Karin. They are all still mourning Anna, Henrik's much-loved wife, who died two years ago, yet who, in many ways, remains present among them. Marianne soon realizes that things are not all as they should be, and she finds herself unwillingly drawn into a complicated and upsetting power struggle.
Genre: Drama, Music
Director(s): Ingmar Bergman
Production: Sony Pictures Classics
  2 wins & 2 nominations.
 
IMDB:
7.8
Metacritic:
80
Rotten Tomatoes:
91%
R
Year:
2003
107 min
$478,554
Website
572 Views


That damned Hindemith wrote:

"Lebhafte Viertel ohne jeden|Audsdruck und stets Pianissimo"

- You know?|- It looks difficult anyhow.

So I sat there with my|shattered mind and I tried.

I begged him to let me off|the hook, to no avail.

He made me play the same part|at least twenty times!

Finally I said. quietly:|"I don't give a damn about this".

I said that it wasn't a class,|it was animal torture.

Henrik was also angry,|but he laughed and said that I should...

try from the beginning, where it says:

"Lebhaft, sehr markiert...|mit festen Bogenstrichen."

I was so angry that I couldn't.|He said I was doing it on purpose.

I said that he didn't have the|skills to teach: I was unfair.

Dad is the most patient, sensitive and|courteous teacher there is.

He said it had nothing to|do with the teaching,

but rather with willpower|and discipline...

and that I was lazy.|That I was lazy!

Then I got up and left the|cello because I was trembling.

I said that it was enough for the day|and that I was going out for a walk.

He turned pale.|I'd never seen him like that.

And he said:
|"You're not leaving".

I put my boots on and|headed for the door.

I didn't hear him approach,|but he grabbed me by the shoulders...

You're not leaving!

You're not leaving!

I sat and cried.

And I said:
"Never again,|never again,

...never again".

And kept crying|until I felt empty.

Then I thought of coming over to see|granddad and begging him to help me...

leave that lunatic.|It was too much for me.

Now the old man can take|care of his crazy son:

send him to the farm,|go to the police...

or kill him.

Then I became aware that|from now on, I know nothing.

I know nothing about my life,|what I'll do or become.

Then I realized|that mom is dead,

and I can't ask her anything.

I was overcome with sorrow for|myself and cried again.

You must think I'm a very|nervous person, but I'm not.

- Do you think Henrik is suicidal?|- If he'd kill himself?

In an extreme situation like|the one you're describing...

could he hurt himself?

You know, to be honest,|I don't know my father very well.

I only know that deep|inside he's... good.

If not, mom never...

Mom loved him, you know?|They loved each other.

And I suppose I was|out of that love.

That's what I think when I'm feeling sorry for|myself and I get tired of my boyfriends.

Why can't I feel love|like mom did?

Were you afraid your dad would|kill himself after her death?

I never gave his|tragedy much thought.

But I tried to take care of mom,|as much as he'd let me.

Mom was never very talkative.

But on one of her last days...

She was always drowsy|from the morphine...

On one of her last days,|I was sitting beside her,

Rate this script:4.5 / 2 votes

Ingmar Bergman

Ernst Ingmar Bergman (Swedish pronunciation: [ˈɪŋmar ˈbærjman] ( listen); 14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. Considered to be among the most accomplished and influential filmmakers of all time, Bergman's renowned works include Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), The Silence (1963), Persona (1966), Cries and Whispers (1972), Scenes from a Marriage (1973), and Fanny and Alexander (1982). Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity. Philip French referred to Bergman as "one of the greatest artists of the 20th century [...] he found in literature and the performing arts a way of both recreating and questioning the human condition." Mick LaSalle argued, "Like Virginia Woolf and James Joyce in literature, Ingmar Bergman strove to capture and illuminate the mystery, ecstasy and fullness of life, by concentrating on individual consciousness and essential moments." more…

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Submitted on August 05, 2018

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