Saraband Page #2

Synopsis: Marianne and Johan meet again after thirty years without contact, when Marianne suddenly feels a need to see her ex-husband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so, one beautiful autumn day, there she is, beside his reclining chair, waking him with a light kiss. Staying at a cottage on the property are Johan's son Henrik and Henrik's daughter Karin. Henrik is giving his daughter cello lessons and already sees her future as staked out. Relations between father and son are very strained, but both are protective of Karin. They are all still mourning Anna, Henrik's much-loved wife, who died two years ago, yet who, in many ways, remains present among them. Marianne soon realizes that things are not all as they should be, and she finds herself unwillingly drawn into a complicated and upsetting power struggle.
Genre: Drama, Music
Director(s): Ingmar Bergman
Production: Sony Pictures Classics
  2 wins & 2 nominations.
 
IMDB:
7.8
Metacritic:
80
Rotten Tomatoes:
91%
R
Year:
2003
107 min
$478,554
Website
572 Views


- Sarah's happy with her life.|- And poor Martha?

Martha's sinking further and further.|She didn't recognize me.

She's no longer aware, in|our sense, of the world.

I understand...

- And you?|- I can't complain.

Though sometimes, I see myself|in voluntary isolation...

and I think I'm in hell.

Like I'm dead,|but I don't know about it.

But I'm fine.

I've plagiarized my past now that|I have the page of answers.

Doesn't sound like fun.

That's it, Marianne.|It's not.

And who the hell said|that damnation would be fun?

- What does your "page of answers|say"? - Want to know?

- I asked the question, didn't I?|- It says my life was sh*t.

A stupid and totally senseless life.

Is our marriage part|of your hell?

- To be honest, yes.|- I'm sorry to hear that.

An old priest once told me:

"A good relationship has two elements:

a good friendship|and an unshakeable eroticism".

Nobody can say that|we weren't good friends.

- Good friends.|- Of course.

- You were unfaithful. - I...|- I was too.

- It's so sad.|- But it was long ago.

- It's still painful.|- Not for me.

No, I suppose not.

- Dearest Marianne.|- That's what you say.

Yes, it's what I say.|It's nice to be here with you.

Holding hands,|Watching the beautiful view.

- Without talking about painful things.|- You're holding my hand.

Dinner! Mrs. Nilsson|will be furious if we're late.

Johan, I need to wash up|and get my bag from the car.

This was a mistake!

TWO|Nearly a week has passed

Are you Karin? Do you want|to speak to your grandfather?

Your grandfather and Mrs. Nilsson|went to the dentist.

I'm Marianne. I was your granddads|wife. I'm visiting.

- I know.|- Come on, sit down.

If you want, you can help me|clean out these mushrooms.

Here's a knife.

If you want to talk, we'll talk.|If not, we can just be together.

You must know Henrik,|my dad.

Can't say I do. I've just greeted him,|but I don't know him.

- Mom is dead.|- I know.

- She died two years ago.|- Your granddad told me.

- Dad retired and is spending his time|with music now. - The cello, right?

He's writing about|St John's Passion.

- You also play the cello?|- I hope to get into the conservatory.

- Your father is the teacher|and you are the student. -Yes.

What's wrong?

Do you know Hindemith's|cello sonata, opus 25?

I don't know anything about music.

Dad wants me to play it|for the audition.

- It's too hard!|- And doesn't he think so?

How were you in the days|before your period?

A premenstrual monster.

I would go to sleep as an angel,|and wake up as a demon.

My mind gets shattered.|And it's very hard for me to get up.

Dad is a morning person.

And I yawned.

We were working on|the fourth movement.

Rate this script:4.5 / 2 votes

Ingmar Bergman

Ernst Ingmar Bergman (Swedish pronunciation: [ˈɪŋmar ˈbærjman] ( listen); 14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. Considered to be among the most accomplished and influential filmmakers of all time, Bergman's renowned works include Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), The Silence (1963), Persona (1966), Cries and Whispers (1972), Scenes from a Marriage (1973), and Fanny and Alexander (1982). Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity. Philip French referred to Bergman as "one of the greatest artists of the 20th century [...] he found in literature and the performing arts a way of both recreating and questioning the human condition." Mick LaSalle argued, "Like Virginia Woolf and James Joyce in literature, Ingmar Bergman strove to capture and illuminate the mystery, ecstasy and fullness of life, by concentrating on individual consciousness and essential moments." more…

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Submitted on August 05, 2018

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