Rubber's Lover Page #2

Synopsis: Scientists use a brain-altering drug to conduct experiments, after one such project goes astray, they need to find another test subject in this Japanese splatter-punk film.
 
IMDB:
6.4
NOT RATED
Year:
1996
91 min
92 Views


I designed the Unit...

...and continued to work on

the sound loop for torturing.

This was my ether project!

Without me you wouldn't be here!

That's over as of now Shimika.

What?!

Just the side effects Shimika.

Remember, you blew your brains out?

You've turned into a downright ether junkie!

From now on, we claim the

ether research results.

You're done punk.

Motomiya!

My body itches. It's itching so

much, I can't stop scratching.

Bugs... bugs?

There's bugs all over!

One... no two...

I get it. There's

millions... no billions.

There they are... and there!

I'm itching all over.

Even the air is full of bugs!

I can't breathe.

It's so cold...

How's Shimiko?

- He's immune to the sedative.

So we must give him more ether.

We should fix the books first.

Most of the money went to the D.D.D.

We must get results before we leave.

The project isn't over yet.

The new sound.

Gimme a shot! More... more!

Hello.

It's taking longer then expected.

Thanks. No picture after all.

Did my passport picture look a little odd?

Okay, I understand.

I'll ring you when I'm finally there. Bye.

It feels so good. Gimme another shot.

Gross.

Torture gets him high as a kite.

Rectal absorption works faster.

Anybody here?

What's going on?

Let me go!

In the end...

...torture sways the results.

The high-tech is only marginal.

Better stick to low-tech stuff.

Although ether is powerful.

Sound blows away the brain.

The sound of rubber on rubber

saturates the whole place.

Though the sounds is superb, it

left an indefinable melancholy.

That psychic power...

...it must have been

caused... by the Rubber Unit.

It has to be developed further.

The trapezius.

The deltoid.

The triceps.

The biceps.

The greater pectoral.

The rectus abdominus.

You're weird Motomiya.

Why is Hitotsubashi doing ether?

He thinks it makes you psychic.

I first developed psychic power.

I am psychic.

You're the muscle monster.

Do you like Hitotsubashi?

Yes... but he likes you.

Hello.

Your name?

- Kiku.

What is this place? Why

am I going through this?

I'm to be married soon.

I only came to do my job.

This whole thing is crazy!

I can't stand it anymore!

Let me out! Stop this nonsense!

Shimika...

We'll escape together.

You won't get away that easy.

The side effects have started.

Stay away!

I'll suck your brains out...

...and f*** your empty head.

Shimika!

He's experiencing the big shut eye now.

F*** off!

Love, love, love, love...

I'm injecting him with the

usual mix but Shimika's strong.

He comes round faster each time.

- The side effects have started.

Don't nag about trivialities.

He's only addicted to the drug.

Trivialities get out of control.

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Shozin Fukui

Shozin Fukui (福居ショウジン, Fukui Shōjin) is a Japanese film director and screenwriter. He has produced two experimental shorts (Gerorisuto, and Caterpillar) and two full-length films (964 Pinocchio, and Rubber's Lover). These four movies were widely available, having been issued on DVD by Unearthed Films. However, these releases have since gone out of print. He has released four more films since then (Onne, Den-Sen, The Hiding and 『S-94』). These are almost completely unknown outside Japan. 964 Pinocchio and Rubber's Lover are considered important, core films of the Japanese cyberpunk genre.964 Pinocchio is often compared to Shinya Tsukamoto's cyberpunk classic Tetsuo: The Iron Man; Fukui worked on the crew for Tetsuo. Many fans and critics consider Fukui's aesthetic to be sufficiently divergent from Tsukamoto's for his films to stand on their own, even considering the extremely deep similarities. more…

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Submitted on August 05, 2018

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