Rosencrantz & Guildenstern Are Dead Page #2

Synopsis: Showing events from the point of view of two minor characters from Hamlet, men who have no control over their destiny, this film examines fate and asks if we can ever really know what's going on? Are answers as important as the questions? Will Rosencrantz and Guildenstern (or Guildenstern and Rosencrantz) manage to discover the source of Hamlet's malaise as requested by the new king? Will the mysterious players who are strolling around the castle reveal the secrets they evidently know? And whose serve is it?
Genre: Comedy, Drama
Director(s): Tom Stoppard
Production: Cinecom Pictures
  3 wins & 2 nominations.
 
IMDB:
7.6
Rotten Tomatoes:
64%
PG
Year:
1990
117 min
1,729 Views


for others patronage,

they are two sides

of the same coin...

or being as there are so many

of us the same side of two coins.

It was luck, then?

Or fate.

Yours or ours?

It could hardly be one

without the other.

Fate then.

You said, caught up in the action?

I did! I did!

You're quicker than your friend.

For a handful of coins

I happen to have...

a private and uncut performance

of the Rape of the Sabine Women...

or rather woman...

or rather Alfred...

and for eight you can participate.

It could have been.

It didn't have to be obscene.

I was prepared.

But it's this, is it?

No enigma... no dignity,

nothing classical or poetic...

only this...

a comic pornographer

and a rabble of prostitutes.

You should have caught

us in better times.

We were purists then.

Excuse me!

Alfred.

You're not, ah,

exclusively players, then?

We're inclusively players, sir.

I had no idea--

No.

I mean I've heard of--,

but I've never actually seen...

I mean, what exactly do you do?

We keep to our usual stuff,

more or less, only inside out.

We do on stage the things

that are supposed to happen off.

Which is a kind of integrity,

if you look on every exit

as an entrance somewhere else.

Wait a minute.

What will you do for that?

Do you know any good plays?

Plays? Oh, yes.

One of the Greeks, perhaps?

You're familar with the tragedies

of Antiquity, are you?

The great homicidal classics?

'Maidens aspiring to Godheads',

or vice versa? That's

your kind of thing, is it?

I can't say it is, really.

Eh we're more of the love,

blood and rhetoric school.

Well, we can do you blood

and love without the rhetoric

without the love...

and we can do you all three

concurrent or consecutive.

But we can't do you love

and rhetoric without the blood.

Blood is compulsory.

They're all blood, you see.

Is that what people want?

It's what we do.

Would you like a bet?

Double or nothing.

Heads.

Heads.

Double or... nothing.

Come on.

I say that was lucky.

It was "tails".

Welcome! Dear Rosencrantz

and Guildenstern.

Moreover that we much did

long to see you.

The need we have to use

you did provoke our hasty sending.

Something have you heard

of Hamlet's transformation,

so call it,

sith nor th' exterior

nor the inward men

resembles that it was.

What it should be,

more than his father's death,

that thus hath put him

so much from th' understanding

of himself.

I cannot dream of.

I entreat you both

that, being of so young days

brought up with him.

And sith so neighbored

to his youth and haviour,

that you vouch-safe your rest

here in our court some little time

so by your companies

to draw him on to pleasures

and to gather so much as

Rate this script:0.0 / 0 votes

Tom Stoppard

Sir Tom Stoppard OM CBE FRSL (born Tomáš Straussler; 3 July 1937) is a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and political freedom pervade his work along with exploration of linguistics and philosophy. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation. more…

All Tom Stoppard scripts | Tom Stoppard Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Rosencrantz & Guildenstern Are Dead" Scripts.com. STANDS4 LLC, 2024. Web. 17 Apr. 2024. <https://www.scripts.com/script/rosencrantz_%2526_guildenstern_are_dead_17167>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Rosencrantz & Guildenstern Are Dead

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.