Ro.Go.Pa.G. Page #2

Synopsis: This consists of four short films by different directors. Rosselini's 'Chastity' ('Illibatezza') deals with an attractive air hostess who receives the unwelcome attentions of a middle aged American. Godard's 'New World' ('Il Nuovo Mondo') illustrates a post-apocalypse world the same as the pre-apocalyptic one but for an enigmatic change in attitude in most people, including the central character's girlfriend. In Pasolini's 'Curd Cheese' ('La Ricotta'), a lavish film about the life of Jesus Christ is being made in a poor area. The impoverished people subject themselves to various indignities in the name of moviemaking in order to win a little food. The central character is hoisted up on a cross for filming, and dies there. Finally comes Gregoretti's 'Free Range Chicken' ('Il Pollo Ruspante') in which a family of the materialist culture inadvertantly illustrate the cynical, metallic voiced doctrine of a top sales theorist.
 
IMDB:
7.1
Year:
1963
122 min
318 Views


I've got a thousand lira.

Here.

Cheese man!

I'll buy all you've got!

The good thief!

The good thief!

Nail them up.

Here I am.

Come on, slaves. Nail me up.

Climb on

and Ill nail you down good.

Boy, I ate too much.

My stomach's about to explode.

- Did you eat, Stracci?

- What kind of question is that?

Here, Stracci, have a bite.

You thirsty? Want a drink?

Natalina!

Come here a minute.

Whaddaya want?

Don't make a fuss.

Come here.

Listen, do us a favour.

Do a striptease for us.

See Stracci over there?

You have to do it in front of him.

What have you got to lose?

We'll pay you. Come on.

Give us a tune.

Play some of that Arab music.

What are you waiting for?

Start stripping.

Silence!

Musician, don't swallow

your instrument!

- Begone, she-devil!

- Flower of the orient!

Ali Baba's mistress!

Carry the crosses up.

Get a move on with those crosses!

You're like slugs this morning!

We ought to have a whip!

Run! Come on, run!

Start the record, please.

Come with me.

Ettore, you're some angel!

What are you doing?

- I can try, can't I?

- Try spreading your wings.

She's the one who should have

done the striptease.

What scene are you setting up?

Listen, darling, you shoot my scene

or I take off. Fair is fair.

Right. I'd forgotten.

Do the other scene.

Leave them nailed down.

Leave them nailed down!

Take it easy.

I'm hungry.

I'm gonna start cursing.

You do and Ill let you have it.

A fine Christ you are.

Think Ive got no right to grumble?

Suit yourself, but I won't take you

into the kingdom of heaven.

I'd settle for the kingdom of earth.

Especially now that

your party's in power.

As if yours is any better?

They're all the same.

I don't get you.

You're always hungry, yet you stay

with those who starve you.

Some have one calling,

others another.

My calling must have been to starve.

Places, please.

We've no time to lose.

Get the seamstress out of there!

Put on the record.

No, not that one, you heathens!

Remember, the director

wants you to keep perfectly still.

- Camera.

- 442, take one.

Action.

No, not like that.

Do it again.

More rapture, more piety.

No, I told you to keep still.

Stop waving those arms around.

Stop!

You're a figure on an altarpiece.

You got that?

What a shame! What a shame!

I'll bash your heads in,

you lazy cowards!

You have no respect,

you blasphemers!

Yes, ma'am.

Let's start again.

Camera.

Imploring, you hear?

And keep still!

- 442, take two.

- Action!

There goes the sun.

Farewell, Phoebus.

Unnail them.

How funny!

It's "the Stracci show"!

Give him something good to eat!

Suck on these!

Watch out for the little chicks!

Here, rinse your mouth out.

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Jean-Luc Godard

Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement.Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." As a result of such argument, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective.In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." He and his work have been central to narrative theory and have "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini.From his father, he is the cousin of Pedro Pablo Kuczynski, former President of Peru. He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. His collaborations with Karina—which included such critically acclaimed films as Bande à part (1964) and Pierrot le Fou (1965)—was called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. more…

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Submitted on August 05, 2018

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