Requiem for a Killer Page #3

Synopsis: Lucrèce is a contract killer in search of a new life. Specialized in the use of poisons and enamored with opera, she accepts a difficult, final hit in a castle in the heart of the Swiss Alps. Posing as a soprano, Lucrèce must perform on stage during the very prestigious Festival of Ermeux and slaughter one of her co-performers, British baritone Alexander Child, who recently bought a distillery in Scotland, and thus became the only obstacle to a strategic pipeline project with considerable financial ramifications. He just won a long legal battle against British Oil, who now has no other choice but to eliminate him. To complicate things, French counter-espionage learns of the hit and sends Rico, a reinstated former agent, to infiltrate the orchestra, unmask and terminate all who wish harm to Alexander Child. Rico has no information on the killer and has a lot of trouble identifying her amid a horde of suspicious characters: an obnoxious conductor, a particularly proud tenor and a strange
Genre: Thriller
Director(s): Jérôme Le Gris
Production: Studio Canal
 
IMDB:
5.1
Rotten Tomatoes:
0%
Year:
2011
91 min
Website
31 Views


... And all will

continue as before.

[Intriguing music]

[Singing]

- Paintings of time.

An eighth floor. You are here

in the Hall of Princes, Anna.

Princes of this,

we never knew.

Vittorio's room,

our tenor.

None of the doors will be locked.

The locks are original.

Do not worry.

There was never any flight.

We are in Switzerland.

[Singing]

Alexander's room ...

... Bass, a beautiful voice.

That of Olga singing

currently in Berlin ..

... And who will join us

at the end of rehearsals.

And finally, your room.

- Thank you.

[Intriguing music]

- The Level 1 ...

... Is buried under the castle.

The acoustics

is perfect.

The musicians come

this afternoon. Repeat to 15 h.

You are you, Anna.

- Thank you.

- Be on time.

The conductor is French ...

... And obnoxious.

This may be related.

You're welcome.

"Why do the nations"

"Messiah"

[Orchestra]

- My great-grandfather ...

Bartolomeo Biamonte ... ...

... Sang for Giuseppe Verdi,

in Rome, he is 150.

His son was tenor.

His grand-son, too.

My father was a tenor

and I am a tenor.

It is in the blood.

In Biamonte, sing ..

... For five generations.

It is.

It's stronger than us.

My son Guido ...

... No.

He prefers football.

He loves it.

- So, Mr. Conductor,

review this new vintage.

- Not great.

- I find you hard.

The singers

are excellent.

- The bass perhaps, the tenor,

yes, it stops bellow.

Contralto, will be judged when

we hear. She has not sung.

- Why?

- Congested with altitude.

Going to have to

his body adjusts.

- It must be prepared

first.

- First, yes.

- Congratulations earlier.

- Thank you.

- Impressive

for 1st rehearsal.

- Is without merit.

I sang "Messiah" ...

... So many times.

- It was good anyway.

- Okay, the voice?

- I hope. This is the story

a few days.

I'm ready

first.

- At the first.

- At the first.

Gossip

- Champagne?

- Champagne.

- This sparkling wine from Austria.

Normally, do not drink it.

But there is that.

- Thank you.

The guitarist?

- That's it.

- This is the source.

The fields of barley ...

It will ...

replanting.

The stills ...

The distillery.

- Everything is yours?

- I just bought.

They were going to shave.

- There's a fortune?

- Fifteen-year career

inheritance and banks.

I put all

I had.

- Do we want to go in

curdle in the Highlands.

[Laughing]

- My father worked 37 years

in the distillery.

He lost his job,

when it closed.

[Disturbing music]

- Hey!

- What "do you do?

- I was wrong door.

I'm cooked. It's late.

I planted.

It was not closed. I entered.

I watched you sleep. I confess.

But that's all.

I was going out.

- How did you get the part?

- Why? You're hurting me.

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Jérôme Le Gris

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Submitted on August 05, 2018

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