Q Page #2

Synopsis: In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cecile, a character who symbolizes desire. Amorous 20-year-old girl sets the French countryside ablaze by taking a series of lovers while attempting to recover from the recent death of her father.
 
IMDB:
5.6
NOT RATED
Year:
2011
103 min
989 Views


We had a date.

She wanted to see the sea.

Matt, Big Bernard's son,

offered to take her.

Sh*t, there's water everywhere here.

She left this.

What is that?

The remnants of her ashtray?

Who knows.

- Wait, don't open it.

- What is it?

It's Ccile's...

I mean the... forget it.

Tell her I took her dad home.

Do you mind if I put this

in the trunk?

Just don't leave your sh*t in there.

It's not mine. Don't joke about it.

Aren't we touchy? Give me a wrench.

Does this thing work?

Yeah, it works.

But when you find money,

the land owner gets half of the cash.

Half of the cash is still cash.

Yeah, but it takes ages,

and the equipment is expensive.

What does Sonia think?

I've stopped thinking of her.

That's not what you said

three months ago.

We shouldn't have moved in together.

Here's your thing back.

I'm staying out of trouble for now.

- Did you try it?

- No, I didn't have time.

Is that your tool for stealing cars?

Can I try it?

If you can get out of here with it,

go for it.

Where will he go?

I don't know.

Straight up there.

You're not easy to find.

Will you come over?

If you want me to.

You can't sleep?

Do you want some water?

I'm exhausted.

Your mother called me.

She left several messages.

You won't answer her calls.

Stop it.

Why?

I'm not in the mood.

Don't I turn you on any more?

I'd have to be dead.

Don't say that.

You turn me on.

Ccile, please...

Stop.

See how I still turn you on?

Do you want to kill me?

You're mine.

- I'm talking about desire.

- Pleasure?

It's complicated.

There's a difference between

desire and love.

Men are all the same.

Mine doesn't know that I can come.

I slept with a guy

who didn't know what a clit was.

He thought I had a button

between my legs.

Going down on me disgusted him.

When we're single, we b*tch about it.

When we're not, we b*tch at the guy.

There's something wrong with that.

Where are we going?

To see a guy I know well.

Don't worry.

What are you doing?

I don't have the keys.

- Sh*t!

- Do you need help, fatso?

- Come over for dinner.

- I'm seeing Ccile.

Do you like it?

I don't know.

You said there was no one here.

There's no one in the offices.

Then why are you whispering?

I'm not whispering.

Go ahead, draw me something.

Yesterday, Alize was crazy.

She was dressed all sexy

and glamorous, you know?

I started touching her

and she was into it.

Suddenly, she pushed me away.

Don't try to understand.

Wait, there's more.

I was tired so I went to sleep.

I dreamt that someone

was holding my cock.

I woke up and saw her

jerking me off like crazy.

She just took my cock

and stuck it in her p*ssy.

It was crazy.

Go on, concentrate.

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Laurent Bouhnik

Laurent Bouhnik (French pronunciation: lɔʁɑ̃ bunik; born April 7, 1961 in Paris, France) is a French director, writer and actor. He began his career in the comic strip and illustration business. From 1988 to 1992, he carried out various technical image and editing jobs within the production company he established. The award-winning Madeleine (1999) was the first step in an ambitious project to direct one film per year between 1999–2009, recounting the turn of the century in an interweaving narrative pattern. He teaches directing and script-writing at La Fémis (Paris). He has appreared in cameo roles in Vivante (2001), Sur un air d'autoroute (1999) and Paddy (1998). more…

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Submitted on August 05, 2018

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